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| [[Image:Kasuga-ryujin.jpg|right|thumb|320px|The opening lines of ''Kasuga ryûjin'', from a [[Kita school]] ''utaibon'' published in Tokyo, 1925.]] | | [[Image:Kasuga-ryujin.jpg|right|thumb|320px|The opening lines of ''Kasuga ryûjin'', from a [[Kita school]] ''utaibon'' published in Tokyo, 1925.]] |
| *''Date: before [[1465]]'' | | *''Date: before [[1465]]'' |
− | *''Attributed to: [[Komparu Zenchiku]]'' | + | *''Attributed to: [[Komparu Zenchiku]] or [[Zeami]]'' |
| *''Japanese'': 春日竜神 or 春日龍神 ''(Kasuga ryuujin)'' | | *''Japanese'': 春日竜神 or 春日龍神 ''(Kasuga ryuujin)'' |
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| ''Kasuga ryûjin'' ("The Dragon God of Kasuga") is a [[Noh]] play featuring the monk [[Myoe Shonin|Myôe Shônin]] ([[1173]]-[[1232]]), who desires to travel to China or India to study [[Buddhism]], but who is convinced by the dragon god of [[Kasuga Shrine]] that there is no need to go overseas when equivalents to the Buddhist monuments of China and India can be found close to home, in Japan. | | ''Kasuga ryûjin'' ("The Dragon God of Kasuga") is a [[Noh]] play featuring the monk [[Myoe Shonin|Myôe Shônin]] ([[1173]]-[[1232]]), who desires to travel to China or India to study [[Buddhism]], but who is convinced by the dragon god of [[Kasuga Shrine]] that there is no need to go overseas when equivalents to the Buddhist monuments of China and India can be found close to home, in Japan. |
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− | The play may have been written by [[Komparu Zenchiku]] ([[1405]]-[[1468]]). It is a fifth-category ''kiri-Noh'' play, of the type that would traditionally serve as a thematically appropriate conclusion for a program of five plays. All five schools of Noh have ''Kasuga ryûjin'' in their repertoire; each school's version of the play differs somewhat, with the [[Kanze school]] adding a Dragon Princess ''tsure'' character who dances a ''tennyo-mai'' ("angel dance"), while the [[Hosho school|Hôshô]] and [[Kongo school|Kongô schools]] add multiple Dragon Kings, along with a Dragon Princess who dances a ''chû-no-mai'' ("middle dance"). The [[Kanze school]] sometimes adds a segment where the Dragon God presents Myôe with a jewel. | + | The play may have been written by [[Komparu Zenchiku]] ([[1405]]-[[1468]]), or by the founder of Noh, [[Zeami]] ([[1363]]-[[1443]]). It is a fifth-category ''kiri-Noh'' play, of the type that would traditionally serve as a thematically appropriate conclusion for a program of five plays. All five schools of Noh have ''Kasuga ryûjin'' in their repertoire; each school's version of the play differs somewhat, with the [[Kanze school]] adding a Dragon Princess ''tsure'' character who dances a ''tennyo-mai'' ("angel dance"), while the [[Hosho school|Hôshô]] and [[Kongo school|Kongô schools]] add multiple Dragon Kings, along with a Dragon Princess who dances a ''chû-no-mai'' ("middle dance"). The [[Kanze school]] sometimes adds a segment where the Dragon God presents Myôe with a jewel. |
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| ==Plot Summary== | | ==Plot Summary== |
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| ==References== | | ==References== |
− | *[[Royall Tyler|Tyler, Royall]]. ''Japanese Nô Dramas''. Penguin Classics, 1992. pp142-155. | + | *Robert Morrell, "Zeami's Kasuga Ryûjin (Dragon God of Kasuga), or Myôe Shônin," ''Early Kamakura Buddhism: A Minority Report'', Asian Humanities Press (1987), 103-122. |
| + | *[[Royall Tyler]]. ''Japanese Nô Dramas''. Penguin Classics, 1992. pp142-155. |
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| [[Category:Poetry and Theater]] | | [[Category:Poetry and Theater]] |
| [[Category:Muromachi Period]] | | [[Category:Muromachi Period]] |