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The Peabody-Essex Museum in [[Salem, MA|Salem, Massachusetts]] is one of the oldest museums in the United States. Alongside other collections, it possesses one of the premier collections in the United States of East Asian and Pacific cultural objects, including especially East Asian export art, and maritime art.

The Peabody-Essex Museum in [[Salem, MA|Salem, Massachusetts]] is one of the oldest museums in the United States. Alongside other collections, it possesses one of the premier collections in the United States of East Asian and Pacific cultural objects, including especially East Asian export art, and maritime art.

The Society built a hall in [[1824]], in which portions of this collection were displayed on the second floor. This hall later became the core of the Peabody-Essex Museum, a position it continues to hold today, even as the museum has expanded with the construction and renovation in later years of additional wings.

The Society built a hall in [[1824]], in which portions of this collection were displayed on the second floor. This hall later became the core of the Peabody-Essex Museum, a position it continues to hold today, even as the museum has expanded with the construction and renovation in later years of additional wings.

Following his return from Japan, [[Edward Sylvester Morse]] served as the museum's third director. Though his renowned ceramics collection was donated/sold to the [[Museum of Fine Arts, Boston]], his collection of roughly 30,000 Japanese objects of everyday folk or material culture of the [[Edo period|Edo]] and [[Meiji period]]s was left to the Peabody-Essex.

[[Edward Sylvester Morse]] served as the museum's third director for 36 years, beginning in [[1879]]. Though his renowned ceramics collection was donated/sold to the [[Museum of Fine Arts, Boston]], his collection of roughly 30,000 Japanese objects of everyday folk or material culture of the [[Edo period|Edo]] and [[Meiji period]]s was left to the Peabody-Essex.

Highlights of the collection include one of only three known extant large breadfruit-wood statues of the Hawaiian god Kū, and "Yin Yu Tang," an 18th century Chinese merchant home disassembled from its original location in China's Anhui province and reassembled, whole, adjacent to the Peabody-Essex, and made accessible to visitors.

Highlights of the collection include one of only three known extant large breadfruit-wood statues of the Hawaiian god Kū, and "Yin Yu Tang," an 18th century Chinese merchant home disassembled from its original location in China's Anhui province and reassembled, whole, adjacent to the Peabody-Essex, and made accessible to visitors.