| In a reverse from the more common situation of kabuki plays being based on those from the puppet theatre, a ''[[ningyo joruri|ningyô jôruri]]'' version of ''Ise Ondo'' first debuted in [[1838]]. | | In a reverse from the more common situation of kabuki plays being based on those from the puppet theatre, a ''[[ningyo joruri|ningyô jôruri]]'' version of ''Ise Ondo'' first debuted in [[1838]]. |
− | Today, the Aburaya and Inner Courtyard/Garden scenes of Act III are most often performed, with the [[Futami-ga-Ura]] scene from Act I being quite common as well. Act IV is no longer performed at all, and so the ending of Act III has been modified to serve as the ending of the play. In addition, two styles or traditions of performing ''Ise Ondo'' have emerged, one in [[Kamigata]], established by [[Ichikawa Danzo V|Ichikawa Danzô V]], and a different style or tradition in Edo, tracing back to [[Onoe Kikugoro III|Onoe Kikugorô III]]. | + | Today, the Aburaya and Inner Courtyard/Garden scenes of Act III are most often performed, with the [[Futami-ga-Ura]] scene from Act I being quite common as well. Act IV is rarely if ever performed at all these days, and so the ending of Act III has been modified to serve as the ending of the play. In addition, two styles or traditions of performing ''Ise Ondo'' have emerged, one in [[Kamigata]], established by [[Ichikawa Danzo V|Ichikawa Danzô V]], and a different style or tradition in Edo, tracing back to [[Onoe Kikugoro III|Onoe Kikugorô III]]. |