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*''Other Names: Ôkichiya (''[[yago|yagô]]''), Uemura Kichizaemon, Yamamura Kichiya, Kamimura Kichiya I, Uemonjiya Kichizaemon<ref>Kabuki21.com. The latter two names were not stagenames, but other names Kichiya used at various times in his life, outside of the theatre.</ref>
 
*''Other Names: Ôkichiya (''[[yago|yagô]]''), Uemura Kichizaemon, Yamamura Kichiya, Kamimura Kichiya I, Uemonjiya Kichizaemon<ref>Kabuki21.com. The latter two names were not stagenames, but other names Kichiya used at various times in his life, outside of the theatre.</ref>
*''Japanese'': 初代上村吉弥 ''(Shodai Uemura Kichiya)''
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*''Japanese'': 初代[[上村]]吉弥 ''(Shodai Uemura Kichiya)''
    
Uemura Kichiya I was an ''[[onnagata]]'' [[kabuki]] actor active in [[Kamigata]] (specifically, Kyoto) in the 1670s. He was particularly celebrated for his dances, and but is known chiefly for his influence on women's fashions, including the popularization of a certain kind of basket hat, a type of face powder, and certain ways of tying one's ''[[obi]]'' (kimono belt).
 
Uemura Kichiya I was an ''[[onnagata]]'' [[kabuki]] actor active in [[Kamigata]] (specifically, Kyoto) in the 1670s. He was particularly celebrated for his dances, and but is known chiefly for his influence on women's fashions, including the popularization of a certain kind of basket hat, a type of face powder, and certain ways of tying one's ''[[obi]]'' (kimono belt).
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