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[[Image:Kaigetsudo Dohan - bijin2.jpg|right|thumb|300px|A ''bijinga'' by [[Kaigetsudo Dohan|Kaigetsudô Dohan]]. Color on silk.]]
*''Japanese'': 懐月堂派 ''(Kaigetsudou-ha)''
The Kaigetsudô school was a school of ''[[ukiyo-e]]'' painting and printmaking founded in [[Edo]] around [[1700]]-[[1714]]. It is often said that the various Kaigetsudô artists' styles are so similar, many scholars find it nearly impossible to differentiate them; thus, many Kaigetsudô paintings attributed to the school's founder, [[Kaigetsudo Ando|Kaigetsudô Ando]], which may have been in fact painted by his disciples.
The school's founder, Ando Yasunori, known by his [[art-name]] (''gô'') Kaigetsudô Ando, was a specialist in ''[[bijinga]]'', images of beautiful women. Unlike his disciples, Ando produced only paintings, never prints. His style, and that of the school, draws strongly upon the style of the [[Torii school]], which is known primarily for its theater signboards. The style of both schools is distinguished by its use of thick lines and bright colors. However, the Kaigetsudô style is said to depict subjects in a very stereotyped manner, which is in sharp contrast to the style of the Torii school.
The Kaigetsudô artists are known primarily for their prints of ''bijin'' with very colorful and complex patterns on their kimono. While these images may be seen as displaying fashion designs, it is far more likely that the artists' intended to focus on the beauty and grace of the women themselves. The printmakers sought to share the fame and magnificence of the women of the [[Yoshiwara]] with those unable to afford to experience the ''ukiyo'' (Floating World) in person.
While the school of course produced many unique works, many were based on reproducing very similar poses or images, with only the colors or kimono pattern changed.
Though a handful of artists took on the Kaigetsudô name for themselves, and sought to imitate the style, the work of Kaigetsudô Ando's direct disciples fell into sharp decline after his banishment to [[Oshima|Ôshima]] in [[1714]].
==Significant Artists of the Kaigetsudō school==
*[[Kaigetsudo Ando|Kaigetsudô Ando]] - founder of the school
*[[Kaigetsudo Anchi|Kaigetsudô Anchi]]
*[[Kaigetsudo Dohan|Kaigetsudô Dohan]]
*[[Kaigetsudo Doshin|Kaigetsudô Doshin]]
*[[Kaigetsudo Doshu|Kaigetsudô Doshu]]
*[[Kaigetsudo Doshuu|Kaigetsudô Doshû]]
*[[Matsuno Chikanobu]]
*[[Tosendo Rifu|Tôsendô Rifû]]
*[[Takizawa Shigenobu]]
*[[Baiyuken Katsunobu|Baiyûken Katsunobu]]
*[[Baioken Nagaharu|Baiôken Nagaharu]]
*[[Takeda Harunobu (artist)|Takeda Harunobu]]
==References==
*''This article was written by [[User:LordAmeth]] and contributed to both S-A and Wikipedia; the author gives permission for his work to be used in this way.''
*Frederic, Louis (2002). "Japan Encyclopedia." Cambridge, Massachusetts: Harvard University Press.
*Paine, Robert Treat and Alexander Soper (1955). "The Art and Architecture of Japan." New Haven: Yale University Press.
[[Category:Artists and Artisans]]
*''Japanese'': 懐月堂派 ''(Kaigetsudou-ha)''
The Kaigetsudô school was a school of ''[[ukiyo-e]]'' painting and printmaking founded in [[Edo]] around [[1700]]-[[1714]]. It is often said that the various Kaigetsudô artists' styles are so similar, many scholars find it nearly impossible to differentiate them; thus, many Kaigetsudô paintings attributed to the school's founder, [[Kaigetsudo Ando|Kaigetsudô Ando]], which may have been in fact painted by his disciples.
The school's founder, Ando Yasunori, known by his [[art-name]] (''gô'') Kaigetsudô Ando, was a specialist in ''[[bijinga]]'', images of beautiful women. Unlike his disciples, Ando produced only paintings, never prints. His style, and that of the school, draws strongly upon the style of the [[Torii school]], which is known primarily for its theater signboards. The style of both schools is distinguished by its use of thick lines and bright colors. However, the Kaigetsudô style is said to depict subjects in a very stereotyped manner, which is in sharp contrast to the style of the Torii school.
The Kaigetsudô artists are known primarily for their prints of ''bijin'' with very colorful and complex patterns on their kimono. While these images may be seen as displaying fashion designs, it is far more likely that the artists' intended to focus on the beauty and grace of the women themselves. The printmakers sought to share the fame and magnificence of the women of the [[Yoshiwara]] with those unable to afford to experience the ''ukiyo'' (Floating World) in person.
While the school of course produced many unique works, many were based on reproducing very similar poses or images, with only the colors or kimono pattern changed.
Though a handful of artists took on the Kaigetsudô name for themselves, and sought to imitate the style, the work of Kaigetsudô Ando's direct disciples fell into sharp decline after his banishment to [[Oshima|Ôshima]] in [[1714]].
==Significant Artists of the Kaigetsudō school==
*[[Kaigetsudo Ando|Kaigetsudô Ando]] - founder of the school
*[[Kaigetsudo Anchi|Kaigetsudô Anchi]]
*[[Kaigetsudo Dohan|Kaigetsudô Dohan]]
*[[Kaigetsudo Doshin|Kaigetsudô Doshin]]
*[[Kaigetsudo Doshu|Kaigetsudô Doshu]]
*[[Kaigetsudo Doshuu|Kaigetsudô Doshû]]
*[[Matsuno Chikanobu]]
*[[Tosendo Rifu|Tôsendô Rifû]]
*[[Takizawa Shigenobu]]
*[[Baiyuken Katsunobu|Baiyûken Katsunobu]]
*[[Baioken Nagaharu|Baiôken Nagaharu]]
*[[Takeda Harunobu (artist)|Takeda Harunobu]]
==References==
*''This article was written by [[User:LordAmeth]] and contributed to both S-A and Wikipedia; the author gives permission for his work to be used in this way.''
*Frederic, Louis (2002). "Japan Encyclopedia." Cambridge, Massachusetts: Harvard University Press.
*Paine, Robert Treat and Alexander Soper (1955). "The Art and Architecture of Japan." New Haven: Yale University Press.
[[Category:Artists and Artisans]]
