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204 bytes added ,  20:33, 24 March 2016
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kanji
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*''Died: [[1443]]''
 
*''Died: [[1443]]''
 
*''Other Names'': [[観世]]元清 ''(Kanze Motokiyo)'', [[秦]]元清 ''(Hata no Motokiyo)''
 
*''Other Names'': [[観世]]元清 ''(Kanze Motokiyo)'', [[秦]]元清 ''(Hata no Motokiyo)''
*''Japanese'': 世阿弥 ''(Zeami)''
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*''Japanese'': 世[[阿弥]] ''(Zeami)''
    
Zeami was an actor, troupe leader, playwright and theatre theorist, generally considered the founder of [[Noh]] drama. He is considered the original author of many plays prominent in the Noh repertoire, as well as several secret treatises on performance, in which he articulates numerous concepts later incorporated into [[kabuki]], ''[[joruri|jôruri]]'' puppet theatre, and other art forms, including the concept of ''[[jo-ha-kyu|jo-ha-kyû]]'', and that of "the flower," an almost indefinable quality which marks the greatest of performances, and which is that which captures the audience's interest.<ref>Hare, 6.</ref>
 
Zeami was an actor, troupe leader, playwright and theatre theorist, generally considered the founder of [[Noh]] drama. He is considered the original author of many plays prominent in the Noh repertoire, as well as several secret treatises on performance, in which he articulates numerous concepts later incorporated into [[kabuki]], ''[[joruri|jôruri]]'' puppet theatre, and other art forms, including the concept of ''[[jo-ha-kyu|jo-ha-kyû]]'', and that of "the flower," an almost indefinable quality which marks the greatest of performances, and which is that which captures the audience's interest.<ref>Hare, 6.</ref>
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*''[[Kakyo|Kakyô]]'' (花鏡, "A Mirror to the Flower", 1424)
 
*''[[Kakyo|Kakyô]]'' (花鏡, "A Mirror to the Flower", 1424)
 
*''[[Rikugi (Zeami)|Rikugi]]'' (六義, "Six Models", 1428)
 
*''[[Rikugi (Zeami)|Rikugi]]'' (六義, "Six Models", 1428)
*''[[Jugyoku tokka|Jûgyoku tokka]]'' (拾玉得花, "Pick Up a Jewel and Take the Flower in Hand", 1428)
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*''[[Jugyoku tokka|Jûgyoku tokka]]'' (拾玉得花, "Pick Up a Jewel and Take the Flower in Hand", 1428), composed for his son-in-law, [[Komparu Zenchiku]]<ref>Quinn, ''Developing Zeami'', 75.</ref>
 
*''[[Shudosho|Shûdôsho]]'' (摺動書, "Learning the Profession", 1430/3)
 
*''[[Shudosho|Shûdôsho]]'' (摺動書, "Learning the Profession", 1430/3)
 
*''[[Museki isshi]]'' (夢跡一紙, "Traces of a Dream on a Single Sheet, 1432/9)
 
*''[[Museki isshi]]'' (夢跡一紙, "Traces of a Dream on a Single Sheet, 1432/9)
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*[[Aridoshi|Aridôshi]]
 
*[[Aridoshi|Aridôshi]]
 
*[[Atsumori]]
 
*[[Atsumori]]
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*[[Hanagatami]]
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*[[Hanjo]]
 
*[[Hyakuman]]
 
*[[Hyakuman]]
 
*[[Izutsu]]
 
*[[Izutsu]]
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*[[Kagekiyo]]
 
*[[Kinuta]]
 
*[[Kinuta]]
 
*[[Kiyotsune]]
 
*[[Kiyotsune]]
 
*[[Koi no omoni]]
 
*[[Koi no omoni]]
 
*[[Nomori]]
 
*[[Nomori]]
*[[Nue]]
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*[[Nue (play)|Nue]]
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*[[Saigyozakura|Saigyôzakura]] (attr.)
 
*[[Seiganji (play)|Seiganji]]
 
*[[Seiganji (play)|Seiganji]]
 
*[[Tadanori]]
 
*[[Tadanori]]
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*[[Yorimasa]]
    
{{stub}}
 
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