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| *''Died: [[1443]]'' | | *''Died: [[1443]]'' |
| *''Other Names'': [[観世]]元清 ''(Kanze Motokiyo)'', [[秦]]元清 ''(Hata no Motokiyo)'' | | *''Other Names'': [[観世]]元清 ''(Kanze Motokiyo)'', [[秦]]元清 ''(Hata no Motokiyo)'' |
− | *''Japanese'': 世阿弥 ''(Zeami)'' | + | *''Japanese'': 世[[阿弥]] ''(Zeami)'' |
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| Zeami was an actor, troupe leader, playwright and theatre theorist, generally considered the founder of [[Noh]] drama. He is considered the original author of many plays prominent in the Noh repertoire, as well as several secret treatises on performance, in which he articulates numerous concepts later incorporated into [[kabuki]], ''[[joruri|jôruri]]'' puppet theatre, and other art forms, including the concept of ''[[jo-ha-kyu|jo-ha-kyû]]'', and that of "the flower," an almost indefinable quality which marks the greatest of performances, and which is that which captures the audience's interest.<ref>Hare, 6.</ref> | | Zeami was an actor, troupe leader, playwright and theatre theorist, generally considered the founder of [[Noh]] drama. He is considered the original author of many plays prominent in the Noh repertoire, as well as several secret treatises on performance, in which he articulates numerous concepts later incorporated into [[kabuki]], ''[[joruri|jôruri]]'' puppet theatre, and other art forms, including the concept of ''[[jo-ha-kyu|jo-ha-kyû]]'', and that of "the flower," an almost indefinable quality which marks the greatest of performances, and which is that which captures the audience's interest.<ref>Hare, 6.</ref> |
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| *''[[Kakyo|Kakyô]]'' (花鏡, "A Mirror to the Flower", 1424) | | *''[[Kakyo|Kakyô]]'' (花鏡, "A Mirror to the Flower", 1424) |
| *''[[Rikugi (Zeami)|Rikugi]]'' (六義, "Six Models", 1428) | | *''[[Rikugi (Zeami)|Rikugi]]'' (六義, "Six Models", 1428) |
− | *''[[Jugyoku tokka|Jûgyoku tokka]]'' (拾玉得花, "Pick Up a Jewel and Take the Flower in Hand", 1428) | + | *''[[Jugyoku tokka|Jûgyoku tokka]]'' (拾玉得花, "Pick Up a Jewel and Take the Flower in Hand", 1428), composed for his son-in-law, [[Komparu Zenchiku]]<ref>Quinn, ''Developing Zeami'', 75.</ref> |
| *''[[Shudosho|Shûdôsho]]'' (摺動書, "Learning the Profession", 1430/3) | | *''[[Shudosho|Shûdôsho]]'' (摺動書, "Learning the Profession", 1430/3) |
| *''[[Museki isshi]]'' (夢跡一紙, "Traces of a Dream on a Single Sheet, 1432/9) | | *''[[Museki isshi]]'' (夢跡一紙, "Traces of a Dream on a Single Sheet, 1432/9) |
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| *[[Aridoshi|Aridôshi]] | | *[[Aridoshi|Aridôshi]] |
| *[[Atsumori]] | | *[[Atsumori]] |
| + | *[[Hanagatami]] |
| + | *[[Hanjo]] |
| *[[Hyakuman]] | | *[[Hyakuman]] |
| *[[Izutsu]] | | *[[Izutsu]] |
| + | *[[Kagekiyo]] |
| *[[Kinuta]] | | *[[Kinuta]] |
| *[[Kiyotsune]] | | *[[Kiyotsune]] |
| *[[Koi no omoni]] | | *[[Koi no omoni]] |
| *[[Nomori]] | | *[[Nomori]] |
− | *[[Nue]] | + | *[[Nue (play)|Nue]] |
| + | *[[Saigyozakura|Saigyôzakura]] (attr.) |
| *[[Seiganji (play)|Seiganji]] | | *[[Seiganji (play)|Seiganji]] |
| *[[Tadanori]] | | *[[Tadanori]] |
| + | *[[Yorimasa]] |
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| {{stub}} | | {{stub}} |