Line 6: |
Line 6: |
| Yakabi Chôki is one of the most prominent figures in the history of Okinawa's ''uta-[[sanshin]]'' musical tradition. The ''[[kunkunshi]]'' system of notation (tablature) is said to have been developed by Chôki, or by his teacher [[Terukina Mongaku]] ([[1682]]-[[1753]]), and the earliest surviving example of such notation, a volume containing lyrics and music for 117 songs, is attributed to Chôki. The two most prominent schools of classical ''uta-sanshin'' today, [[Nomura-ryu|Nomura-ryû]] and [[Afuso-ryu|Afuso-ryû]], both also trace their origins to Chôki. | | Yakabi Chôki is one of the most prominent figures in the history of Okinawa's ''uta-[[sanshin]]'' musical tradition. The ''[[kunkunshi]]'' system of notation (tablature) is said to have been developed by Chôki, or by his teacher [[Terukina Mongaku]] ([[1682]]-[[1753]]), and the earliest surviving example of such notation, a volume containing lyrics and music for 117 songs, is attributed to Chôki. The two most prominent schools of classical ''uta-sanshin'' today, [[Nomura-ryu|Nomura-ryû]] and [[Afuso-ryu|Afuso-ryû]], both also trace their origins to Chôki. |
| | | |
− | He was born in [[Shuri]], the royal capital of the [[Kingdom of Ryukyu|Kingdom of Ryûkyû]], the fourth son of Tamagusuku ''[[anji]]'' Chôo<!--玉川按司朝雄-->. His Chinese-style name was Shô Zenmo. When Chôki was young, his talent for the performing arts was already recognized, and he traveled to [[Satsuma han]] to study [[Noh]] chanting and performance. After returning from [[Kagoshima]], he served briefly as a government official, achieving the rank of ''[[peechin]]'', but was soon forced to retire as he began to go blind. | + | He was born in [[Shuri]], the royal capital of the [[Kingdom of Ryukyu|Kingdom of Ryûkyû]], the fourth son of Tamagawa ''[[anji]]'' Chôo<!--玉川按司朝雄-->. His Chinese-style name was Shô Zenmo. When Chôki was young, his talent for the performing arts was already recognized, and he traveled to [[Satsuma han]] to study [[Noh]] chanting and performance. After returning from [[Kagoshima]], he served briefly as a government official, achieving the rank of ''[[peechin]]'', but was soon forced to retire as he began to go blind. |
| | | |
− | He began studying ''uta-sanshin'' under Terukina Mongaku, and developed his own style, which later came to be called the Tô-ryû (当流) school or style. He, or Mongaku, developed the ''kunkunshi'' notation system still used today; this notation, and the Tô-ryû style, served as the foundations out of which the later classical tradition developed, including the Nomura-ryû and Afuso-ryû styles performed today. | + | He began studying ''uta-sanshin'' under Terukina Mongaku, and developed his own style, which later came to be called the Tô-ryû (当流) school or style. He, or Mongaku, also developed the ''kunkunshi'' notation system still used today; judging from surviving ''kunkunshi'' texts from Chôki's time, the Tô-ryû style seems to have been an attempt to simplify the style pioneered by [[Tansui Kenchu|Tansui Kenchû]] ([[1623]]-[[1683]]), and to codify the repertoire. Chôki is also credited with the composition of a number of pieces in the ''kuduchi'' (J: ''kudoki'') form, featuring lyrics in a five- and seven-syllable format reminiscent of Japanese poetry, rather than the six- and eight-syllable forms more typical in [[ryuka|Ryukyuan poetry]]. |
| + | |
| + | Chôki's student [[Chinen Sekko|Chinen Sekkô]] ([[1761]]-[[1828]]) taught, in turn, [[Nomura Ancho|Nomura Anchô]] ([[1805]]-[[1871]]) and [[Afuso Seigen]] ([[1785]]-[[1865]]), the founders of the two most prominent schools of classical Okinawan ''uta-sanshin'' today - Nomura-ryû and Afuso-ryû, respectively. |
| | | |
| ==References== | | ==References== |
| + | *[[Robin Thompson|Thompson, Robin]]. "The Music of Ryukyu." ''Ashgate Research Companion to Japanese Music''. Surrey: Ashgate Publishing, 2008. p313. |
| *"[http://kotobank.jp/word/%E5%B1%8B%E5%98%89%E6%AF%94%E6%9C%9D%E5%AF%84 Yakabi Chôki]." ''Asahi Nihon rekishi jinbutsu jiten'' 朝日日本歴史人物事典. Asahi Shimbun-sha. | | *"[http://kotobank.jp/word/%E5%B1%8B%E5%98%89%E6%AF%94%E6%9C%9D%E5%AF%84 Yakabi Chôki]." ''Asahi Nihon rekishi jinbutsu jiten'' 朝日日本歴史人物事典. Asahi Shimbun-sha. |
| *"[http://ryukyushimpo.jp/news/storyid-43202-storytopic-121.html Yakabi Chôki]." Okinawa Compact Encyclopedia 沖縄コンパクト事典. 1 March 2003. | | *"[http://ryukyushimpo.jp/news/storyid-43202-storytopic-121.html Yakabi Chôki]." Okinawa Compact Encyclopedia 沖縄コンパクト事典. 1 March 2003. |
Line 16: |
Line 19: |
| | | |
| [[Category:Ryukyu]] | | [[Category:Ryukyu]] |
− | [[Category:Poetry and Theater]] | + | [[Category:Artists and Artisans]] |
| [[Category:Edo Period]] | | [[Category:Edo Period]] |