Changes

*Ryukyuan dance was first performed at a National Theater in 1967, just one year after Noh and Kabuki were first performed in that context. - Hideyo Konagaya, "Crossing Genres in Okinawan Performance: Art, Folk, and Power in the Cultural Protection System," presentation at Assoc. for Asian Studies annual conference, Washington DC, 23 March 2018.

*Ryukyuan dance was first performed at a National Theater in 1967, just one year after Noh and Kabuki were first performed in that context. - Hideyo Konagaya, "Crossing Genres in Okinawan Performance: Art, Folk, and Power in the Cultural Protection System," presentation at Assoc. for Asian Studies annual conference, Washington DC, 23 March 2018.

*Investiture - Korean kings were receiving investiture from China for some 1000 years by the time of Joseon's founding in 1392. But, as Koryo and its predecessors were strongly Buddhist kingdoms, it was not until the rise of (Neo-)Confucianism as the dominant state ideology in the Joseon period that Korea was able to more fully embrace investiture as beneficial to domestic legitimacy & authority, rather than as a threat to the kingdom's identity. - Ji-Young Lee, “Diplomatic Ritual as a Power Resource: The Politics of Asymmetry in Early Modern Chinese-Korean Relations,” Journal of East Asian Studies 13 (2013), 316-317.

*Investiture - Korean kings were receiving investiture from China for some 1000 years by the time of Joseon's founding in 1392. But, as Koryo and its predecessors were strongly Buddhist kingdoms, it was not until the rise of (Neo-)Confucianism as the dominant state ideology in the Joseon period that Korea was able to more fully embrace investiture as beneficial to domestic legitimacy & authority, rather than as a threat to the kingdom's identity. - Ji-Young Lee, “Diplomatic Ritual as a Power Resource: The Politics of Asymmetry in Early Modern Chinese-Korean Relations,” Journal of East Asian Studies 13 (2013), 316-317.