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New Year's observances at [[Edo castle]] included the [[shogun]]'s reception of ''daimyô'' and other retainers, among others, on the first three days of the new year. All ''daimyô'' resident in [[Edo]] at the time were obliged to appear at the castle on each of these first three days. These practices were first put into place by [[Tokugawa Hidetada]], and were continued by his successor, becoming standard practice by the time of Shogun [[Tokugawa Yoshimune]] (r. [[1716]]-[[1751]]).<ref>Walthall, 353n13.</ref>

New Year's observances at [[Edo castle]] included the [[shogun]]'s reception of ''daimyô'' and other retainers, among others, on the first three days of the new year. All ''daimyô'' resident in [[Edo]] at the time were obliged to appear at the castle on each of these first three days. These practices were first put into place by [[Tokugawa Hidetada]], and were continued by his successor, becoming standard practice by the time of Shogun [[Tokugawa Yoshimune]] (r. [[1716]]-[[1751]]).<ref>Walthall, 353n13.</ref>

On the first day of the new year, the shogun would first grant audiences to his direct relatives, the lords of the [[Maeda clan]], and the chief ''fudai daimyô'', who were received in the castle's ''kuroshoin'' and ''shiroshoin'', respectively the innermost (and thus most private/elite) and middle-ranking of the castle's three chief audience halls. The ''daimyô'' presented swords as gifts to the shogun and bowed in designated ways, at designated places within (or just outside of) the room, in accordance with their rank, shared a cup of [[sake|saké]] with the shogun, and received gifts from him, including "seasonal clothing" (''jifuku''.<ref name=asao59/>

On the first day of the new year, the shogun would first receive the lord of the [[Tayasu Tokugawa clan]] and other close relatives in the ''goza-no-ma'', where they formally presented swords (actually, just a document indicating the presentation of a sword)<ref>This was standard practice in samurai audience ritual; gifts were rarely if ever presented directly, but rather were presented merely as a formal document listing the gifts. The actual objects were sometimes displayed on the veranda or garden adjoining the audience hall, but were transported by castle staff, and were not directly handled during the ceremony by either the figures formally giving or receiving the gifts.</ref> to the shogun, and bowed at the threshold at the entrance of the room. They then shared with the shogun a ceremonial cup of saké, and some small plates of food. The shogun then granted audiences to the remainder of his direct relatives, the lords of the [[Maeda clan]], and the chief ''fudai daimyô'' (including the ''[[roju|rôjû]]''), who were received in the castle's ''kuroshoin'' and ''shiroshoin'', respectively the innermost (and thus most private/elite) and middle-ranking of the castle's three chief audience halls. These ''daimyô'' presented swords as gifts to the shogun and bowed in designated ways, at designated places within (or just outside of) the room, in accordance with their rank, shared a cup of [[sake|saké]] with the shogun, and received gifts from him, including "seasonal clothing" (''jifuku''.<ref name=asao59/> The shogun was often accompanied by his heir in most or all ceremonial audiences over the course of these three days.<ref name=edojo>''Edojô'' 江戸城, Tokyo: Gakushu Kenkyusha (1995), 120-123.</ref>

Following a banquet, these ''daimyô'' would then arrange themselves on the lowest of the three levels (''dan'') in the ''Ôhiroma'', the outermost, least private/elite, but largest and most formal of the audience halls, which was used for receptions of those lower in rank, or with less strong relationships with the shogunate; the remaining ''daimyô'', both ''fudai'' and ''tozama'', were arranged in the "second" and "third" rooms attached to the audience hall (''ni-no-ma'' and ''san-no-ma''), along with a multitude of ''[[hatamoto]]'', priests, doctors, court painters, and the like. They all lay prostrate as the sliding screens (''fusuma'') separating these secondary rooms from the main audience hall were opened, and the shogun silently surveyed the gathering. A member of the ''[[roju|rôjû]]'' then declared, on behalf of the shogun, an expression of good wishes for the new year; the screens were closed, and the shogun took his place in the upper level (''jôdan'') of the ''Ôhiroma''. After a reception in which [[sake|saké]] was drunk, the shogun returned to the ''shiroshoin'', where he received New Year's greetings from staff members of his court, including [[Noh]] performers, painters, and pages.

Following a banquet, these ''daimyô'' would then arrange themselves on the lowest of the three levels (''dan'') in the ''Ôhiroma'', the outermost, least private/elite, but largest and most formal of the audience halls, which was used for receptions of those lower in rank, or with less strong relationships with the shogunate; the remaining ''daimyô'', both ''fudai'' and ''tozama'', were arranged in the "second" and "third" rooms attached to the audience hall (''ni-no-ma'' and ''san-no-ma''), along with a multitude of ''[[hatamoto]]'', priests and doctors (bearing the honorary monastic rank of ''hôin'' or ''hôgan''), court painters, and the like. They all lay prostrate as the sliding screens (''fusuma'') separating these secondary rooms from the main audience hall were opened, and the shogun silently surveyed the gathering. A member of the ''[[roju|rôjû]]'' then declared, on behalf of the shogun, an expression of good wishes for the new year; the screens were closed, and the shogun took his place in the upper level (''jôdan'') of the ''Ôhiroma''. After a reception in which [[sake|saké]] was drunk, the shogun returned to the ''shiroshoin'', where he received New Year's greetings from staff members of his court, including [[Noh]] performers, painters, and pages. Meanwhile, those who had received audience in the ''ni-'' and ''san-no-ma'' were now given seasonal clothing and other "bestowals" from the shogunate. ''[[Soshaban|Sôshaban]]'' (castle officials overseeing ceremonial matters) received an audience in the Great Hall (''Ôrôka''), presenting swords to the shogun and bowing before him.<ref name=edojo/>

 

 

 

 

The first Noh performance of the year generally took place on the third day of the year, after which the performers received new robes, as formal gifts, on behalf of the shogun. The third day of the month also included audiences with prominent merchant officials from Edo, [[Kyoto]], [[Nara]], [[Fushimi]] and [[Osaka]], as well as elders from some of the chief cities and ''fudai'' [[han|domains]].

The first Noh performance of the year generally took place on the third day of the year, after which the performers received new robes, as formal gifts, on behalf of the shogun. The third day of the month also included audiences with prominent merchant officials from Edo, [[Kyoto]], [[Nara]], [[Fushimi]] and [[Osaka]], as well as elders from some of the chief cities and ''fudai'' [[han|domains]].

Festival days specifically associated with commemorating or celebrating events related to the shogunate included:

Festival days specifically associated with commemorating or celebrating events related to the shogunate included:

*''Kashô'' 嘉祥, celebrated on 6/16. A celebration of [[Tokugawa Ieyasu|Tokugawa Ieyasu's]] victory in the [[1573]] [[battle of Mikatagahara]]. After the battle, his retainer Ôkubo Fujigorô supposedly gifted Ieyasu with an amount of sweets, as a gift in celebration of the victory; Ieyasu then distributed the sweets among some number of his other retainers, and in commemoration or reenactment of this event, every year on ''kashô'', the shogun would receive retainers in audience in the Ôhiroma (Grand Audience Hall) of [[Edo castle]], and would distribute sixteen types of sweets, including ''[[manju]]'' and ''[[yokan|yôkan]]'', to his retainers.<ref name=edojo120>''Edojô'', 120.</ref>  

*''Kashô'' 嘉祥, celebrated on 6/16. A celebration of [[Tokugawa Ieyasu|Tokugawa Ieyasu's]] victory in the [[1573]] [[battle of Mikatagahara]]. After the battle, his retainer Ôkubo Fujigorô supposedly gifted Ieyasu with an amount of sweets, as a gift in celebration of the victory; Ieyasu then distributed the sweets among some number of his other retainers, and in commemoration or reenactment of this event, every year on ''kashô'', the shogun would receive retainers in audience in the Ôhiroma (Grand Audience Hall) of [[Edo castle]], and would distribute sixteen types of sweets, including ''[[manju]]'' and ''[[yokan|yôkan]]'', to his retainers.<ref name=edojo>''Edojô'' 江戸城, Tokyo: Gakushu Kenkyusha (1995), 120.</ref>  

*''[[Hassaku]]'' 八朔, celebrated on 8/1. This date was a harvest festival traditionally, but in the Tokugawa period was simultaneously observed as a celebration of Tokugawa Ieyasu's first victorious entry into [[Edo]] in [[1590]].<ref name=edojo120/> A celebration of the autumn harvest, and of the first fruits of the agricultural year, ''hassaku'' was also a traditional occasion for samurai (as well as Imperial Court nobles, and others) to give gifts to their lords or superiors, as a show of gratitude for their favor. This was one of two annual festivals during which ''daimyô'' presented swords, as a show of fealty, to the shogun.

*''[[Hassaku]]'' 八朔, celebrated on 8/1. This date was a harvest festival traditionally, but in the Tokugawa period was simultaneously observed as a celebration of Tokugawa Ieyasu's first victorious entry into [[Edo]] in [[1590]].<ref name=edojo/> A celebration of the autumn harvest, and of the first fruits of the agricultural year, ''hassaku'' was also a traditional occasion for samurai (as well as Imperial Court nobles, and others) to give gifts to their lords or superiors, as a show of gratitude for their favor. This was one of two annual festivals during which ''daimyô'' presented swords, as a show of fealty, to the shogun.

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