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#The Harsh Cry of the Heron (2006)
 
#The Harsh Cry of the Heron (2006)
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At the beginning of '''Heaven's Net''' is Wide the young Shigeru prepares to take over the leadership of the Otori clan and fight off the challenge from the Iida clan, but his defeat at Yaegahara leads to his dispossession. In '''Across the Nightingale Floor''' he thinks he has discovered the assassin who will kill Iida Sadamu – the boy he adopts and names Takeo. '''Grass For His Pillow''' deals with the relationship between Takeo, and Shirakawa Kaede, the heir to the domain of Maruyama. In '''Brilliance of the Moon''' the first foreigners and the first guns appear, signifying the challenges of modernity that face Takeo and Kaede. By the end of '''The Harsh Cry of the Heron''' the entire Eight Islands have been unified by one powerful general in the name of the Emperor, and the era of warlords fighting among themselves is over.
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At the beginning of '''Heaven's Net is Wide''' the young Shigeru prepares to take over the leadership of the Otori clan and fight off the challenge from the Iida clan, but his defeat at Yaegahara leads to his dispossession. In '''Across the Nightingale Floor''' he thinks he has discovered the assassin who will kill Iida Sadamu – the boy he adopts and names Takeo. '''Grass For His Pillow''' deals with the relationship between Takeo, and Shirakawa Kaede, the heir to the domain of Maruyama. In '''Brilliance of the Moon''' the first foreigners and the first guns appear, signifying the challenges of modernity that face Takeo and Kaede. By the end of '''The Harsh Cry of the Heron''' the entire Eight Islands have been unified by one powerful general in the name of the Emperor, and the era of warlords fighting among themselves is over.
    
Tales of the Otori has been described as "a colossal meditation on a few simple questions; can peace be gained through the exercise of war? What is the nature of the relationship between the sexes? To what extent are civilised principles merely a cover for greed?"  (Sydney Morning Herald) It is also the author’s deeply felt response to the culture and landscape of Japan.
 
Tales of the Otori has been described as "a colossal meditation on a few simple questions; can peace be gained through the exercise of war? What is the nature of the relationship between the sexes? To what extent are civilised principles merely a cover for greed?"  (Sydney Morning Herald) It is also the author’s deeply felt response to the culture and landscape of Japan.