https://samurai-archives.com/w/index.php?title=Suona&feed=atom&action=historySuona - Revision history2024-03-29T07:58:18ZRevision history for this page on the wikiMediaWiki 1.35.2https://samurai-archives.com/w/index.php?title=Suona&diff=38475&oldid=prevLordAmeth at 02:05, 9 February 20182018-02-09T02:05:29Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 02:05, 9 February 2018</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''Chinese/Japanese'': 嗩吶 ''(suǒnà / sonai)'', チャルメラ ''(charumera)''</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''Chinese/Japanese'': 嗩吶 ''(suǒnà / sonai)'', チャルメラ ''(charumera)''</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The ''suǒnà'', sometimes known as a shawm in English, is a Chinese double-reed oboe-like instrument derived from the Middle Eastern ''zurna''. Though not generally used in Japanese traditions, [[rojigaku|street processions]] performed by [[Ryukyuan embassies to Edo]] included ''suǒnà'' alongside a number of gongs and drums. The ''suǒnà'' was also used in Ryukyuan ''[[uzagaku]]'' (chamber music) performances, both within the Ryukyuan royal court, and by members of the embassies performing in [[Shimazu clan]] [[daimyo yashiki|mansions]] or [[Edo castle|the shogun's castle]] in [[Edo]].</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The ''suǒnà'', sometimes known as a shawm in English, is a Chinese double-reed oboe-like instrument derived from the Middle Eastern ''zurna''. Though not generally used in Japanese traditions, [[rojigaku|street processions]] performed by [[Ryukyuan embassies to Edo]] included ''suǒnà'' alongside a number of gongs and drums<ins class="diffchange diffchange-inline">; the sound of the ''suǒnà'' was considered a symbol of the king's authority, and as something which ornamented or added to his presence</ins>.<ins class="diffchange diffchange-inline"><ref>Kaneshiro Atsumi 金城厚, “Ryūkyū no gaikō girei ni okeru gakki ensō no imi” 「琉球の外交儀礼における楽器演奏の意味」, Musa ムーサ 14 (2013), 59.</ref> </ins>The ''suǒnà'' was also used in Ryukyuan ''[[uzagaku]]'' (chamber music) performances, both within the Ryukyuan royal court, and by members of the embassies performing in [[Shimazu clan]] [[daimyo yashiki|mansions]] or [[Edo castle|the shogun's castle]] in [[Edo]].</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>An 18th century Ryukyuan ''suona'' surviving in [[Owari Tokugawa clan|Tokugawa]] collections is made primarily of brass and [[lacquer]]ed wood. Seven finger holes on one side of the instrument, and one on the reverse side, are coated on the inside with [[gold leaf]]. One more hole allows a tassel to be attached, for decorative purposes, and does not affect the sound of the instrument.<ref>''Okinawa bijutsu zenshû'' 5, 342.</ref></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>An 18th century Ryukyuan ''suona'' surviving in [[Owari Tokugawa clan|Tokugawa]] collections is made primarily of brass and [[lacquer]]ed wood. Seven finger holes on one side of the instrument, and one on the reverse side, are coated on the inside with [[gold leaf]]. One more hole allows a tassel to be attached, for decorative purposes, and does not affect the sound of the instrument.<ref>''Okinawa bijutsu zenshû'' 5, 342.</ref></div></td></tr>
</table>LordAmethhttps://samurai-archives.com/w/index.php?title=Suona&diff=35846&oldid=prevLordAmeth at 03:08, 28 January 20172017-01-28T03:08:06Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 03:08, 28 January 2017</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''Chinese/Japanese'': 嗩吶 ''(suǒnà / sonai)'', チャルメラ ''(charumera)''</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''Chinese/Japanese'': 嗩吶 ''(suǒnà / sonai)'', チャルメラ ''(charumera)''</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The ''suǒnà'', sometimes known as a shawm in English, is a Chinese double-reed oboe-like instrument derived from the Middle Eastern ''zurna''. Though not generally used in Japanese traditions, street processions performed by [[Ryukyuan embassies to Edo]] included ''suǒnà'' alongside a number of gongs and drums. The ''suǒnà'' was also used in Ryukyuan ''uzagaku'' (chamber music) performances, both within the Ryukyuan royal court, and by members of the embassies performing in [[Shimazu clan]] [[daimyo yashiki|mansions]] or [[Edo castle|the shogun's castle]] in [[Edo]].</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The ''suǒnà'', sometimes known as a shawm in English, is a Chinese double-reed oboe-like instrument derived from the Middle Eastern ''zurna''. Though not generally used in Japanese traditions, <ins class="diffchange diffchange-inline">[[rojigaku|</ins>street processions<ins class="diffchange diffchange-inline">]] </ins>performed by [[Ryukyuan embassies to Edo]] included ''suǒnà'' alongside a number of gongs and drums. The ''suǒnà'' was also used in Ryukyuan ''<ins class="diffchange diffchange-inline">[[</ins>uzagaku<ins class="diffchange diffchange-inline">]]</ins>'' (chamber music) performances, both within the Ryukyuan royal court, and by members of the embassies performing in [[Shimazu clan]] [[daimyo yashiki|mansions]] or [[Edo castle|the shogun's castle]] in [[Edo]].</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">An 18th century Ryukyuan ''suona'' surviving in [[Owari Tokugawa clan|Tokugawa]] collections is made primarily of brass and [[lacquer]]ed wood. Seven finger holes on one side of the instrument, and one on the reverse side, are coated on the inside with [[gold leaf]]. One more hole allows a tassel to be attached, for decorative purposes, and does not affect the sound of the instrument.<ref>''Okinawa bijutsu zenshû'' 5, 342.</ref></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Where the instrument ''does'' appear in Japanese contexts, it is often called the ''charumera'', from the Portuguese ''charamela'', which in turn derived from the French term ''chalumeau''.<ref>Higa Etsuko, Robin Thompson (trans.), ''Uzagaku: The Vanished Tradition of Ryukyuan Court Music'', CD liner notes, Uzagaku fukugen ensô kenkyûkai (2007), 18.</ref></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Where the instrument ''does'' appear in Japanese contexts, it is often called the ''charumera'', from the Portuguese ''charamela'', which in turn derived from the French term ''chalumeau''.<ref>Higa Etsuko, Robin Thompson (trans.), ''Uzagaku: The Vanished Tradition of Ryukyuan Court Music'', CD liner notes, Uzagaku fukugen ensô kenkyûkai (2007), 18.</ref></div></td></tr>
</table>LordAmethhttps://samurai-archives.com/w/index.php?title=Suona&diff=35373&oldid=prevLordAmeth at 11:25, 2 December 20162016-12-02T11:25:23Z<p></p>
<table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 11:25, 2 December 2016</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l4" >Line 4:</td>
<td colspan="2" class="diff-lineno">Line 4:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The ''suǒnà'', sometimes known as a shawm in English, is a Chinese double-reed oboe-like instrument derived from the Middle Eastern ''zurna''. Though not generally used in Japanese traditions, street processions performed by [[Ryukyuan embassies to Edo]] included ''suǒnà'' alongside a number of gongs and drums. The ''suǒnà'' was also used in Ryukyuan ''uzagaku'' (chamber music) performances, both within the Ryukyuan royal court, and by members of the embassies performing in [[Shimazu clan]] [[daimyo yashiki|mansions]] or [[Edo castle|the shogun's castle]] in [[Edo]].</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The ''suǒnà'', sometimes known as a shawm in English, is a Chinese double-reed oboe-like instrument derived from the Middle Eastern ''zurna''. Though not generally used in Japanese traditions, street processions performed by [[Ryukyuan embassies to Edo]] included ''suǒnà'' alongside a number of gongs and drums. The ''suǒnà'' was also used in Ryukyuan ''uzagaku'' (chamber music) performances, both within the Ryukyuan royal court, and by members of the embassies performing in [[Shimazu clan]] [[daimyo yashiki|mansions]] or [[Edo castle|the shogun's castle]] in [[Edo]].</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Where the instrument ''does'' appear in Japanese contexts, it is often called the ''charumera'', from the Portuguese ''charamela'', which in turn derived from the French term ''chalumeau''.<ref>''Uzagaku: The Vanished Tradition of Ryukyuan Court Music'', CD liner notes, Uzagaku fukugen ensô kenkyûkai (2007), 18.</ref></div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Where the instrument ''does'' appear in Japanese contexts, it is often called the ''charumera'', from the Portuguese ''charamela'', which in turn derived from the French term ''chalumeau''.<ref><ins class="diffchange diffchange-inline">Higa Etsuko, Robin Thompson (trans.), </ins>''Uzagaku: The Vanished Tradition of Ryukyuan Court Music'', CD liner notes, Uzagaku fukugen ensô kenkyûkai (2007), 18.</ref></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The ''suǒnà'' was first introduced into China in the early 16th century, and comes in a variety of sizes, with smaller ones being called ''hǎidí'' (海笛, lit. "ocean flute"). It is played using circular breathing to maintain a constant tone. The ''suǒnà'' was primarily used in military contexts in China, traditionally, but is today played either solo or in ensembles.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The ''suǒnà'' was first introduced into China in the early 16th century, and comes in a variety of sizes, with smaller ones being called ''hǎidí'' (海笛, lit. "ocean flute"). It is played using circular breathing to maintain a constant tone. The ''suǒnà'' was primarily used in military contexts in China, traditionally, but is today played either solo or in ensembles.</div></td></tr>
</table>LordAmethhttps://samurai-archives.com/w/index.php?title=Suona&diff=35369&oldid=prevLordAmeth: /* References */2016-12-02T10:25:37Z<p><span dir="auto"><span class="autocomment">References</span></span></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Gallery labels, Musical Instruments gallery, Metropolitan Museum of Art.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Gallery labels, Musical Instruments gallery, Metropolitan Museum of Art.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><references/></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Art and Architecture]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Art and Architecture]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Poetry and Theater]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Poetry and Theater]]</div></td></tr>
</table>LordAmethhttps://samurai-archives.com/w/index.php?title=Suona&diff=35368&oldid=prevLordAmeth at 09:55, 2 December 20162016-12-02T09:55:01Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Suona.jpg|right|thumb|320px|A Chinese ''suǒnà'' and ''hǎidí'' on display at the Metropolitan Museum of Art]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Suona.jpg|right|thumb|320px|A Chinese ''suǒnà'' and ''hǎidí'' on display at the Metropolitan Museum of Art]]</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*''Chinese/Japanese'': 嗩吶 ''(suǒnà / sonai)''</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*''Chinese/Japanese'': 嗩吶 ''(suǒnà / sonai<ins class="diffchange diffchange-inline">)'', チャルメラ ''(charumera</ins>)''</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The ''suǒnà'', sometimes known as a shawm in English, is a Chinese double-reed oboe-like instrument derived from the Middle Eastern ''zurna''. Though not generally used in Japanese traditions, street processions performed by [[Ryukyuan embassies to Edo]] included ''suǒnà'' alongside a number of gongs and drums.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The ''suǒnà'', sometimes known as a shawm in English, is a Chinese double-reed oboe-like instrument derived from the Middle Eastern ''zurna''. Though not generally used in Japanese traditions, street processions performed by [[Ryukyuan embassies to Edo]] included ''suǒnà'' alongside a number of gongs and drums. <ins class="diffchange diffchange-inline">The ''suǒnà'' was also used in Ryukyuan ''uzagaku'' (chamber music) performances, both within the Ryukyuan royal court, and by members of the embassies performing in [[Shimazu clan]] [[daimyo yashiki|mansions]] or [[Edo castle|the shogun's castle]] in [[Edo]].</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">Where the instrument ''does'' appear in Japanese contexts, it is often called the ''charumera'', from the Portuguese ''charamela'', which in turn derived from the French term ''chalumeau''.<ref>''Uzagaku: The Vanished Tradition of Ryukyuan Court Music'', CD liner notes, Uzagaku fukugen ensô kenkyûkai (2007), 18.</ref></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The ''suǒnà'' was first introduced into China in the early 16th century, and comes in a variety of sizes, with smaller ones being called ''hǎidí'' (海笛, lit. "ocean flute"). It is played using circular breathing to maintain a constant tone. The ''suǒnà'' was primarily used in military contexts in China, traditionally, but is today played either solo or in ensembles.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The ''suǒnà'' was first introduced into China in the early 16th century, and comes in a variety of sizes, with smaller ones being called ''hǎidí'' (海笛, lit. "ocean flute"). It is played using circular breathing to maintain a constant tone. The ''suǒnà'' was primarily used in military contexts in China, traditionally, but is today played either solo or in ensembles.</div></td></tr>
</table>LordAmethhttps://samurai-archives.com/w/index.php?title=Suona&diff=32147&oldid=prevLordAmeth at 11:57, 20 August 20152015-08-20T11:57:45Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 11:57, 20 August 2015</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l4" >Line 4:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The ''suǒnà'', sometimes known as a shawm in English, is a Chinese double-reed oboe-like instrument derived from the Middle Eastern ''zurna''. Though not generally used in Japanese traditions, street processions performed by [[Ryukyuan embassies to Edo]] included ''suǒnà'' alongside a number of gongs and drums.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The ''suǒnà'', sometimes known as a shawm in English, is a Chinese double-reed oboe-like instrument derived from the Middle Eastern ''zurna''. Though not generally used in Japanese traditions, street processions performed by [[Ryukyuan embassies to Edo]] included ''suǒnà'' alongside a number of gongs and drums.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The ''suǒnà'' was first introduced into China in the early 16th century, and comes in a variety of sizes, with smaller ones being called ''hǎidí'' (海笛). It is played using circular breathing to maintain a constant tone. The ''suǒnà'' was primarily used in military contexts in China, traditionally, but is today played either solo or in ensembles.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The ''suǒnà'' was first introduced into China in the early 16th century, and comes in a variety of sizes, with smaller ones being called ''hǎidí'' (海笛<ins class="diffchange diffchange-inline">, lit. "ocean flute"</ins>). It is played using circular breathing to maintain a constant tone. The ''suǒnà'' was primarily used in military contexts in China, traditionally, but is today played either solo or in ensembles.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{stub}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{stub}}</div></td></tr>
</table>LordAmethhttps://samurai-archives.com/w/index.php?title=Suona&diff=29082&oldid=prevLordAmeth: Created page with "A Chinese ''suǒnà'' and ''hǎidí'' on display at the Metropolitan Museum of Art *''Chinese/Japanese'': 嗩吶 ''(suǒnà / sonai)'' Th..."2014-10-17T22:56:52Z<p>Created page with "<a href="/wiki/File:Suona.jpg" title="File:Suona.jpg">right|thumb|320px|A Chinese ''suǒnà'' and ''hǎidí'' on display at the Metropolitan Museum of Art</a> *''Chinese/Japanese'': 嗩吶 ''(suǒnà / sonai)'' Th..."</p>
<p><b>New page</b></p><div>[[File:Suona.jpg|right|thumb|320px|A Chinese ''suǒnà'' and ''hǎidí'' on display at the Metropolitan Museum of Art]]<br />
*''Chinese/Japanese'': 嗩吶 ''(suǒnà / sonai)''<br />
<br />
The ''suǒnà'', sometimes known as a shawm in English, is a Chinese double-reed oboe-like instrument derived from the Middle Eastern ''zurna''. Though not generally used in Japanese traditions, street processions performed by [[Ryukyuan embassies to Edo]] included ''suǒnà'' alongside a number of gongs and drums.<br />
<br />
The ''suǒnà'' was first introduced into China in the early 16th century, and comes in a variety of sizes, with smaller ones being called ''hǎidí'' (海笛). It is played using circular breathing to maintain a constant tone. The ''suǒnà'' was primarily used in military contexts in China, traditionally, but is today played either solo or in ensembles.<br />
<br />
{{stub}}<br />
<br />
==References==<br />
*Gallery labels, Musical Instruments gallery, Metropolitan Museum of Art.<br />
<br />
[[Category:Art and Architecture]]<br />
[[Category:Poetry and Theater]]</div>LordAmeth