− | The play features [[Izumi Shikibu]] and Ippen Shônin as the main characters, and tells a story of a miracle and of the origin of Seiganji. Izumi Shikibu's appearance in this play as the [[bodhisattva]] of song and dance is revered in Noh and other performing arts, and from the [[Edo period]] on, people coming to Seigan-ji in connection with that were many. Houses (families/lineages) of artists in particular were many, and in the [[Bunka]]-[[Bunsei]]-[[Tenpo|Tenpô periods]] (1804-1844), [[Shinozuka Bunzaburo|Shinozuka Bunzaburô]], founder of the [[Shinozuka school]] and a [[kabuki]] actor active in Kyoto, also known as Baisen, combined elements of Noh and Kabuki to form a new, superb form of ''[[kowaka|kôwaka]]'' dance. This was very popular in the Tenpô era in Kyoto & [[Osaka]], alongside [[Yamamura dance]], and among his family were devotees of Izumi Shikibu at Seigan-ji. That devotion was passed down until the Shôwa or Heisei eras (i.e. sometime between the post-war to the present]). | + | The play features [[Izumi Shikibu]] and Ippen Shônin as the main characters, and tells a story of a miracle and of the origin of Seiganji. Izumi Shikibu's appearance in this play as the [[bodhisattva]] of song and dance is revered in Noh and other performing arts, and from the [[Edo period]] on, people coming to Seigan-ji in connection with that were many. Houses (families/lineages) of artists in particular were many, and in the [[Bunka]]-[[Bunsei]]-[[Tenpo|Tenpô periods]] (1804-1844), [[Shinozuka Bunzaburo|Shinozuka Bunzaburô]], founder of the [[Shinozuka school]] and a [[kabuki]] actor active in Kyoto, also known as Baisen, combined elements of Noh and Kabuki to form a new, superb form of ''[[kowaka|kôwaka]]'' dance. This was very popular in the Tenpô era in Kyoto & [[Osaka]], alongside [[Yamamura dance]], and among his family were devotees of Izumi Shikibu at Seigan-ji. That devotion was passed down until the Shôwa or Heisei eras (i.e. sometime between the post-war to the present). |