https://samurai-archives.com/w/index.php?title=Nagauta&feed=atom&action=historyNagauta - Revision history2024-03-28T23:46:18ZRevision history for this page on the wikiMediaWiki 1.35.2https://samurai-archives.com/w/index.php?title=Nagauta&diff=22614&oldid=prevLordAmeth at 14:38, 8 August 20122012-08-08T14:38:58Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 14:38, 8 August 2012</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Nagauta'' is the most standard or typical form of kabuki music, being performed in roughly half of all scenes or pieces in the kabuki repertoire; the remaining half of the repertoire is divided among ''[[tokiwazu]]'', ''[[kiyomoto]]'', and other shamisen genres. ''Nagauta'' is as a result the dominant style of music employed in ''[[Nihon buyo|Nihon buyô]]'' ("Japanese dance") as well. ''Nagauta'' dances began to emerge and gather strength in the 1750s, becoming dominant shortly afterwards; one of the most popular, ''[[Musume Dojoji|Musume Dôjôji]]'', dates to [[1753]].</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Nagauta'' is the most standard or typical form of kabuki music, being performed in roughly half of all scenes or pieces in the kabuki repertoire; the remaining half of the repertoire is divided among ''[[tokiwazu]]'', ''[[kiyomoto]]'', and other shamisen genres. ''Nagauta'' is as a result the dominant style of music employed in ''[[Nihon buyo|Nihon buyô]]'' ("Japanese dance") as well. ''Nagauta'' dances began to emerge and gather strength in the 1750s, becoming dominant shortly afterwards; one of the most popular, ''[[Musume Dojoji|Musume Dôjôji]]'', dates to [[1753]].</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>''Nagauta'' is described as a "lyrical" style, a more purely musical style in contrast to the more "narrative" form of the ''tokiwazu'' and ''kiyomoto'' styles. Its distinctive character is said to derive not from any core, essential identity of its own, but rather from a synthesis of influences and borrowings from other styles, <del class="diffchange diffchange-inline">yielding </del>in the end<del class="diffchange diffchange-inline">, nevertheless, </del>something quite unique and distinctive, in its vocal style, melodies, and mode of shamisen instrumentation.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>''Nagauta'' is described as a "lyrical" style, a more purely musical style in contrast to the more "narrative" form of the ''tokiwazu'' and ''kiyomoto'' styles. Its distinctive character is said to derive not from any core, essential identity of its own, but rather from a synthesis of influences and borrowings from other styles<ins class="diffchange diffchange-inline">. Yet</ins>, <ins class="diffchange diffchange-inline">this nevertheless yields </ins>in the end something quite unique and distinctive, in its vocal style, melodies, and mode of shamisen instrumentation.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Nagauta'' shamisen employs a system of notation (tablature) developed in the late 19th or early 20th century.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Nagauta'' shamisen employs a system of notation (tablature) developed in the late 19th or early 20th century.</div></td></tr>
</table>LordAmethhttps://samurai-archives.com/w/index.php?title=Nagauta&diff=22605&oldid=prevLordAmeth at 03:10, 8 August 20122012-08-08T03:10:32Z<p></p>
<table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 03:10, 8 August 2012</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''Japanese'': 長唄 ''(nagauta)''</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''Japanese'': 長唄 ''(nagauta)''</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>''Nagauta'' (lit. "long song") is one of the most prominent styles or genres of [[shamisen]] music in both the traditions of [[geisha]]/[[courtesan]] entertainments, and the [[kabuki]] theatre.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>''Nagauta'' (lit. "long song") is one of the most prominent styles or genres of [[shamisen]] music <ins class="diffchange diffchange-inline">(coupled with singing) </ins>in both the traditions of [[geisha]]/[[courtesan]] entertainments, and the [[kabuki]] theatre<ins class="diffchange diffchange-inline">. It is today the style of shamisen music with the most ''ryûha'' ("schools" of music), and the most amateur students</ins>.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>''Nagauta'' is the most standard or typical form of kabuki music, being performed in roughly half of all scenes or pieces in the kabuki repertoire; the remaining half of the repertoire is divided among ''[[tokiwazu]]'', ''[[kiyomoto]]'', and other shamisen genres. ''Nagauta'' is as a result the dominant style of music employed in ''[[Nihon buyo|Nihon buyô]]'' ("Japanese dance") as well.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>''Nagauta'' is the most standard or typical form of kabuki music, being performed in roughly half of all scenes or pieces in the kabuki repertoire; the remaining half of the repertoire is divided among ''[[tokiwazu]]'', ''[[kiyomoto]]'', and other shamisen genres. ''Nagauta'' is as a result the dominant style of music employed in ''[[Nihon buyo|Nihon buyô]]'' ("Japanese dance") as well<ins class="diffchange diffchange-inline">. ''Nagauta'' dances began to emerge and gather strength in the 1750s, becoming dominant shortly afterwards; one of the most popular, ''[[Musume Dojoji|Musume Dôjôji]]'', dates to [[1753]]</ins>.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">It </del>is described as a "lyrical" style, a more purely musical style in contrast to the more "narrative" form of the ''tokiwazu'' and ''kiyomoto'' styles. Its distinctive character is said to derive not from any core, essential identity of its own, but rather from a synthesis of influences and borrowings from other styles, yielding in the end, nevertheless, something quite unique and distinctive, in its vocal style, melodies, and mode of shamisen instrumentation.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">''Nagauta'' </ins>is described as a "lyrical" style, a more purely musical style in contrast to the more "narrative" form of the ''tokiwazu'' and ''kiyomoto'' styles. Its distinctive character is said to derive not from any core, essential identity of its own, but rather from a synthesis of influences and borrowings from other styles, yielding in the end, nevertheless, something quite unique and distinctive, in its vocal style, melodies, and mode of shamisen instrumentation<ins class="diffchange diffchange-inline">.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">''Nagauta'' shamisen employs a system of notation (tablature) developed in the late 19th or early 20th century.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">Singers, shamisen players, and ''[[hayashi]]'' musicians (e.g. drummers, flute players, other instrumentalists), can all belong to the ''nagauta'' genre. Like kabuki actors, kabuki musicians take on names from the kabuki tradition; [[Kineya]] is the most common surname among onstage ''nagauta'' kabuki singers and shamisen players</ins>.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==References==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==References==</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*McQueen Tokita, Alison. "Music in kabuki: more than meets the eye." ''The Ashgate Research Companion to Japanese Music''. Surrey: Ashgate Publishing, 2008. pp242-245.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*McQueen Tokita, Alison. "Music in kabuki: more than meets the eye." ''The Ashgate Research Companion to Japanese Music''. Surrey: Ashgate Publishing, 2008. pp242-245.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><references/></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Edo Period]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Edo Period]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Poetry and Theater]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Poetry and Theater]]</div></td></tr>
</table>LordAmethhttps://samurai-archives.com/w/index.php?title=Nagauta&diff=22604&oldid=prevLordAmeth at 01:15, 8 August 20122012-08-08T01:15:31Z<p></p>
<p><b>New page</b></p><div>*''Japanese'': 長唄 ''(nagauta)''<br />
<br />
''Nagauta'' (lit. "long song") is one of the most prominent styles or genres of [[shamisen]] music in both the traditions of [[geisha]]/[[courtesan]] entertainments, and the [[kabuki]] theatre.<br />
<br />
''Nagauta'' is the most standard or typical form of kabuki music, being performed in roughly half of all scenes or pieces in the kabuki repertoire; the remaining half of the repertoire is divided among ''[[tokiwazu]]'', ''[[kiyomoto]]'', and other shamisen genres. ''Nagauta'' is as a result the dominant style of music employed in ''[[Nihon buyo|Nihon buyô]]'' ("Japanese dance") as well.<br />
<br />
It is described as a "lyrical" style, a more purely musical style in contrast to the more "narrative" form of the ''tokiwazu'' and ''kiyomoto'' styles. Its distinctive character is said to derive not from any core, essential identity of its own, but rather from a synthesis of influences and borrowings from other styles, yielding in the end, nevertheless, something quite unique and distinctive, in its vocal style, melodies, and mode of shamisen instrumentation.<br />
<br />
==References==<br />
*McQueen Tokita, Alison. "Music in kabuki: more than meets the eye." ''The Ashgate Research Companion to Japanese Music''. Surrey: Ashgate Publishing, 2008. pp242-245.<br />
<br />
[[Category:Edo Period]]<br />
[[Category:Poetry and Theater]]</div>LordAmeth