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Kanze Kojirô Nobumitsu was a [[Noh]] ''[[otsuzumi|ôtsuzumi]]'' drummer<ref>Thomas Hare, ''Zeami Performance Notes'', Columbia University Press (2008), 151. </ref> and playwright, known especially for the play ''[[Ataka]]'', upon which the [[kabuki]] play ''[[Kanjincho|Kanjinchô]]'' was later based.
 
Kanze Kojirô Nobumitsu was a [[Noh]] ''[[otsuzumi|ôtsuzumi]]'' drummer<ref>Thomas Hare, ''Zeami Performance Notes'', Columbia University Press (2008), 151. </ref> and playwright, known especially for the play ''[[Ataka]]'', upon which the [[kabuki]] play ''[[Kanjincho|Kanjinchô]]'' was later based.
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Along with his contemporaries [[Kanze Nagatoshi]] and [[Konparu Zenpo|Konparu Zenpô]], Nobumitsu is considered a pioneer in ''[[furyu Noh|fûryû Noh]]'', featuring more complex plots and a greater emphasis on action and drama between characters rather than internal psychological struggles.
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Nobumitsu was the seventh son of [[On'ami]], third head of the [[Kanze school]]. Along with his son [[Kanze Nagatoshi|Kanze Yajirô Nagatoshi]] and contemporary [[Konparu Zenpo|Konparu Zenpô]], Nobumitsu is considered a pioneer in ''[[furyu Noh|fûryû Noh]]'' ("in-style Noh") or ''geki-Noh'' ("dramatic Noh"), featuring more complex plots and a greater emphasis on action and drama between characters rather than internal psychological struggles. Unlike Zenpô and Nagatoshi, however, Nobumitsu's plays - especially ''Ataka'' and ''[[Funabenkei]]'' - have retained considerable popularity in the repertoire down through the centuries.<ref>Lim, 49n19.</ref> Fifteen of Nobumitsu's works remain in the active repertoire today; of those, nine are so-called ''geki Noh''.<ref>Tsubaki, 300.</ref>
    
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==Plays==
 
==Plays==
 
*''Ataka''
 
*''Ataka''
*''[[Funabenkei]]''
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*''Funabenkei''
 
*''[[Kocho|Kôchô]]''<ref>Beng Choo Lim, "Performing Furyû Nô: The Theatre of Konparu Zenpô," ''Asian Theatre Journal'' 22:1 (2005), 37.</ref>
 
*''[[Kocho|Kôchô]]''<ref>Beng Choo Lim, "Performing Furyû Nô: The Theatre of Konparu Zenpô," ''Asian Theatre Journal'' 22:1 (2005), 37.</ref>
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*''[[Momijigari (Noh)|Momijigari]]''
 
*''[[Rashomon (Noh)|Rashômon]]''
 
*''[[Rashomon (Noh)|Rashômon]]''
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*''[[Taisei Taishi]]''
    
==References==
 
==References==
 
*''Japanese Noh Drama: Plays Selected and Translated from the Japanese'', vol. 3, Nippon Gakujutsu Shinkôkai (1960), 152.
 
*''Japanese Noh Drama: Plays Selected and Translated from the Japanese'', vol. 3, Nippon Gakujutsu Shinkôkai (1960), 152.
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*Andrew Tsubaki, "The Performing Arts of Sixteenth-Century Japan: A Prelude to Kabuki," ''Educational Theatre Journal'' 29:3 (1977), 300.
 
<references/>
 
<references/>
    
[[Category:Muromachi Period]]
 
[[Category:Muromachi Period]]
 
[[Category:Artists and Artisans]]
 
[[Category:Artists and Artisans]]
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