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When the Toyotomi fell following the [[1615]] [[siege of Osaka]], Sanraku retreated from the art world, becoming a Buddhist monk and taking on the name Sanraku for the first time (up until then, he had been known as Mitsuyori). After a roughly four-year period of seclusion and absence from the art world, Sanraku returned to Kyoto in [[1619]], commissioned to produce paintings for the Imperial Palace in preparation for the occasion of the marriage of [[Tofukumon-in|Tôfukumon-in]], daughter of [[Shogun]] [[Tokugawa Hidetada]], to [[Emperor Go-Mizunoo]].
 
When the Toyotomi fell following the [[1615]] [[siege of Osaka]], Sanraku retreated from the art world, becoming a Buddhist monk and taking on the name Sanraku for the first time (up until then, he had been known as Mitsuyori). After a roughly four-year period of seclusion and absence from the art world, Sanraku returned to Kyoto in [[1619]], commissioned to produce paintings for the Imperial Palace in preparation for the occasion of the marriage of [[Tofukumon-in|Tôfukumon-in]], daughter of [[Shogun]] [[Tokugawa Hidetada]], to [[Emperor Go-Mizunoo]].
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He died in 1635.
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He died in 1635, and was succeeded as head of the Kyoto Kanô by his adopted son [[Kano Sansetsu|Kanô Sansetsu]].
    
==References==
 
==References==
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