Difference between revisions of "Kano Masunobu"

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*''Japanese'': [[狩野]]益信 ''(Kanou Masunobu)''
 
*''Japanese'': [[狩野]]益信 ''(Kanou Masunobu)''
  
Kanô Masunobu was the founder of the Surugadai branch of the [[Kanô school]] of painting; he and the other members of the Surugadai branch were designated ''omote eshi'', or "painters of the outer quarters," one of a number of terms used to refer to court painters in the service of the [[Tokugawa shogunate]].
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Kanô Masunobu was the founder of the Surugadai branch of the [[Kano school|Kanô school]] of painting; he and the other members of the Surugadai branch were designated ''omote eshi'', or "painters of the outer quarters," one of a number of terms used to refer to court painters in the service of the [[Tokugawa shogunate]].
  
 
He was involved in a number of famous projects, including the repainting in [[1642]] of the Seiryôden of the [[Kyoto Imperial Palace]], a project headed by Masunobu's mentor and father-in-law, [[Kano Tanyu|Kanô Tan'yû]].
 
He was involved in a number of famous projects, including the repainting in [[1642]] of the Seiryôden of the [[Kyoto Imperial Palace]], a project headed by Masunobu's mentor and father-in-law, [[Kano Tanyu|Kanô Tan'yû]].

Latest revision as of 20:40, 26 December 2011

  • Japanese: 狩野益信 (Kanou Masunobu)

Kanô Masunobu was the founder of the Surugadai branch of the Kanô school of painting; he and the other members of the Surugadai branch were designated omote eshi, or "painters of the outer quarters," one of a number of terms used to refer to court painters in the service of the Tokugawa shogunate.

He was involved in a number of famous projects, including the repainting in 1642 of the Seiryôden of the Kyoto Imperial Palace, a project headed by Masunobu's mentor and father-in-law, Kanô Tan'yû.

References

  • Lillehoj, Elizabeth. "A Gift for the Retired Empress." in Lillehoj (ed.). Acquisition: Art and Ownership in Edo-Period Japan. Floating World Editions, 2007. p97.