Line 1: |
Line 1: |
− | *Japanese: 歌舞伎十八番 ''(Kabuki Juuhachiban)'' | + | * ''Japanese'': 歌舞伎十八番 ''(Kabuki Juuhachiban)'' |
| | | |
− | The Kabuki Jûhachiban, or "Eighteen Best Kabuki Plays", is a set of [[kabuki]] plays, strongly associated with the [[Ichikawa Danjuro|Ichikawa Danjûrô]] line of actors ever since their premieres, and chosen (assembled as "the eighteen") later by actor [[Ichikawa Ebizo V|Ichikawa Danjûrô VII]] (1800-1832) as the greatest representations of the ''[[aragoto]]'' style in the repertoire. The Danjûrô line has continued to dominate the leading roles, and the printing and production of these plays ever since. | + | The Kabuki Jûhachiban, or "Eighteen Best Kabuki Plays", is a set of [[kabuki]] plays, strongly associated with the [[Ichikawa Danjuro|Ichikawa Danjûrô]] line of actors ever since their premieres, and chosen (assembled as "the eighteen") later by actor [[Ichikawa Ebizo V|Ichikawa Danjûrô VII]] (1791-1859) as the greatest representations of the ''[[aragoto]]'' style in the repertoire. The Danjûrô line has continued to dominate the leading roles, and the printing and production of these plays ever since. |
| | | |
| ''Shibaraku'', ''Narukami'', ''Sukeroku'', ''Ya-no-Ne'', and ''Kanjinchô'' are still considered among the greatest of all kabuki plays, and are performed at least once a year. These plays are also often performed for ''[[shumei|shûmei]]'', auspicious naming ceremonies in which actors who receive new names, particularly those receiving the illustrious name "Ichikawa Danjûrô", perform in these great plays which are strongly associated with that lineage. | | ''Shibaraku'', ''Narukami'', ''Sukeroku'', ''Ya-no-Ne'', and ''Kanjinchô'' are still considered among the greatest of all kabuki plays, and are performed at least once a year. These plays are also often performed for ''[[shumei|shûmei]]'', auspicious naming ceremonies in which actors who receive new names, particularly those receiving the illustrious name "Ichikawa Danjûrô", perform in these great plays which are strongly associated with that lineage. |
Line 7: |
Line 7: |
| It may also be interesting to note that, while the plays contained within the ''Kabuki Jûhachiban'' do number 18, the number, along with other eight-related numbers such as 80 and 88, is symbolic of the general concept of "a great many." | | It may also be interesting to note that, while the plays contained within the ''Kabuki Jûhachiban'' do number 18, the number, along with other eight-related numbers such as 80 and 88, is symbolic of the general concept of "a great many." |
| | | |
− | A ''[[Shin-Kabuki Juhachiban|Shin-Kabuki Jûhachiban]]'' (New Eighteen Best Kabuki Plays) was assembled by [[Ichikawa Danjuro IX|Ichikawa Danjûrô IX]] in the [[Meiji period]], representing his favorites, many of which are particularly representative of Meiji period kabuki. | + | A ''[[Shin-Kabuki Juhachiban|Shin-Kabuki Jûhachiban]]'' (New Eighteen Best Kabuki Plays) was assembled by [[Ichikawa Danjuro IX|Ichikawa Danjûrô IX]] in the [[Meiji Period]], representing his favorites, many of which are particularly representative of Meiji period kabuki. |
| | | |
| Of the original eighteen, only ten or eleven are considered to still be actively performed, though some are performed far less frequently than others. | | Of the original eighteen, only ten or eleven are considered to still be actively performed, though some are performed far less frequently than others. |
| + | |
| + | [[Image:歌舞伎十八番.jpg|center|652px|thumb|A woodblock print triptych depicting nine of the eighteen plays from the ''Kabuki Jûhachiban''.]] |
| | | |
| ==The Eighteen== | | ==The Eighteen== |
Line 38: |
Line 40: |
| *[http://kabuki21.com/glossaire_4.php Kabuki Glossary at Kabuki21.com] | | *[http://kabuki21.com/glossaire_4.php Kabuki Glossary at Kabuki21.com] |
| | | |
| + | ==Link== |
| + | *[http://www.naritaya.jp/index.html Naritaya Official Website] |
| [[Category:Poetry and Theater]] | | [[Category:Poetry and Theater]] |