Difference between revisions of "Forbidden City"

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==References==
 
==References==
 
*Gallery labels, "Kuninda - Ryûkyû to Chûgoku no kakehashi," special exhibit, Okinawa Prefectural Museum, Sept 2014.
 
*Gallery labels, "Kuninda - Ryûkyû to Chûgoku no kakehashi," special exhibit, Okinawa Prefectural Museum, Sept 2014.
 +
<references/>
  
 
[[Category:Historic Buildings]]
 
[[Category:Historic Buildings]]

Revision as of 21:10, 31 January 2015

  • Other Names: 故宮 (gùgōng / kokyuu)
  • Chinese/Japanese: 紫禁城 (zǐjīnchéng / shikinjou)

The Forbidden City is a term often used to refer to the Chinese Imperial Palace, particularly that located in the city of Beijing. The Imperial Palace remains a prominent site at the center of the city today, and is home to the Imperial Palace Museum, among other historical sites and gardens.

History

Much of the palace was rebuilt during the reign of the Yongle Emperor (r. 1402-1424) in the early Ming Dynasty, when the capital was returned to Beijing from Nanjing. During the Qing Dynasty, a complex of imperial yurts was erected alongside the palace, where emperors could engage in rituals and practices of Manchu rule.

Many portions of the palace surviving today date back to the Ming Dynasty, while other portions date only back to the Qing, or to 20th century repairs or restorations. The vast compound includes the Qianlong Gardens, constructed by the Qianlong Emperor (r. 1735-1796) and designed in part by the Jesuit Giuseppe Castiglione. Extensive conservation work has been undertaken by the World Monuments Fund in this part of the palace since 2001. It includes the Juànqínzhāi, famous for its trompe l'oiel mural paintings and indoor theatre space.

The palace was last occupied by members of the Imperial family in 1924, after which it came more completely under the control of the State.

Layout

The Forbidden City complex covers a massive area, roughly a quarter of a square mile for the palace proper at the height of the Ming, and includes a great many buildings and gates. It sat within the Imperial City, a three-square-mile area closed to the general public and generally seen only by scholar-bureaucrats and others of the government and palace. This larger area included, among many other facilities, gardens and lakes, residences for the palace eunuchs, bakeries, confectioneries, banquet halls, stables, armories, printers, a book depository, temples, imperial residences, and supply depots, rendering the Imperial City, essentially, self-sufficient. The palace was staffed by as many as 20,000 eunuchs and 3,000 women.[1]

Forbidden Palace

The Hall of Supreme Harmony (太和殿, Tàihédiàn) is the largest building within the complex, and it was here that a variety of official state rituals were enacted, including the offering by officials and others (including foreign embassies) of formal New Year's greetings to the emperor. The Hall of Supreme Harmony faces south across a plaza, accessed by the Gate of Supreme Harmony (太和門, Tàihémén) on its southern side. Beyond this is the wǔmén 午門, the main southern gate of the palace. To the east and west of the Gate of Supreme Harmony stand the Dōnghuámén (東華門) & Xīhuámén (西華門) gates respectively.

To the north of the Hall of Supreme Harmony stands another large palace building, the Hall of Preserving Harmony (保和殿, Bǎohédiàn), where large banquets were often held. Beyond this was a further enclosed area, accessed by the Qiánqīngmén (乾清門), and containing the emperor's private residential quarters. Just to the west of this, outside the gates of that enclosure, stood a building known as the Jūnjīchǔ (軍機処), which housed the highest administrative organs of the Qing state.

A hall near the northwestern corner of this section of the compound was known as the Zhónghuágōng (重華宮), and was the site of certain formal banquets.

The Shénwǔmén (神武門) was the main gate on the north side of the palace.

References

  • Gallery labels, "Kuninda - Ryûkyû to Chûgoku no kakehashi," special exhibit, Okinawa Prefectural Museum, Sept 2014.
  1. Ray Huang, 1587: A Year of No Significance, Yale University Press (1981), 12-13.