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*''Debut: [[1811]]''
*''Japanese'': 越後獅子 ''(Echigo-jishi)''
''Echigo-jishi'', or "The Echigo Lion," is a [[kabuki]] solo dance piece. The sole character is a traveling entertainer from [[Echigo province]] named Kakubei, who dances an Echigo folk dance version of the [[lion dance]] for an imagined streetside audience.
The 21-minute piece is extremely sparse on narrative, lacking any spoken dialogue (monologue), but some narrative outline is provided by indications in the dance itself, the character's entrance and exit, and the lyrics of the accompanying ''[[nagauta]]'' song. These relate something about Kakubei's identity, his life, and his wife.
The dancer wears a wig of very long red hair, representing the lion's mane, but goes without a mask or other elements of a lion costume. A small hand drum is worn horizontally at the belt, directly in front, and struck as part of the dance. In a later section of the dance, the dancer puts on single-bladed ''[[geta]]'' and waves long white pieces of cloth, representing a folk practice for bleaching cloth (''nunosarashi'').
A ''nagauta'' dance, ''Echigo-jishi'' is based on the ''[[jiuta]]'' piece ''Sarashi''; a variant version called ''Kakubei'' exists in the ''[[tokiwazu]]'' tradition. When it debuted in [[1811]], ''Echigo-jishi'' was originally performed as part of a ''hengemono'' - a series of dances in which the performer makes quick costume changes as he transitions between each dance. It was at that time accompanied by dances depicting ''Shu no shôki'' (a Chinese priest), a ''keisei'' ([[courtesan]]), ''inaka zatô'' (a rural blind masseur), [[Ariwara no Narihira]], ''[[Hashi Benkei]]'' ("[[Benkei]] on the Bridge"), and ''Sagami ama'' ([[ama|pearl divers]] at Sagami).
==References==
*McQueen Tokita, Alison. "Music in kabuki: more than meets the eye." ''The Ashgate Research Companion to Japanese Music''. Surrey: Ashgate Publishing, 2008. pp250-254.
[[Category:Poetry and Theater]]
[[Category:Edo Period]]
*''Japanese'': 越後獅子 ''(Echigo-jishi)''
''Echigo-jishi'', or "The Echigo Lion," is a [[kabuki]] solo dance piece. The sole character is a traveling entertainer from [[Echigo province]] named Kakubei, who dances an Echigo folk dance version of the [[lion dance]] for an imagined streetside audience.
The 21-minute piece is extremely sparse on narrative, lacking any spoken dialogue (monologue), but some narrative outline is provided by indications in the dance itself, the character's entrance and exit, and the lyrics of the accompanying ''[[nagauta]]'' song. These relate something about Kakubei's identity, his life, and his wife.
The dancer wears a wig of very long red hair, representing the lion's mane, but goes without a mask or other elements of a lion costume. A small hand drum is worn horizontally at the belt, directly in front, and struck as part of the dance. In a later section of the dance, the dancer puts on single-bladed ''[[geta]]'' and waves long white pieces of cloth, representing a folk practice for bleaching cloth (''nunosarashi'').
A ''nagauta'' dance, ''Echigo-jishi'' is based on the ''[[jiuta]]'' piece ''Sarashi''; a variant version called ''Kakubei'' exists in the ''[[tokiwazu]]'' tradition. When it debuted in [[1811]], ''Echigo-jishi'' was originally performed as part of a ''hengemono'' - a series of dances in which the performer makes quick costume changes as he transitions between each dance. It was at that time accompanied by dances depicting ''Shu no shôki'' (a Chinese priest), a ''keisei'' ([[courtesan]]), ''inaka zatô'' (a rural blind masseur), [[Ariwara no Narihira]], ''[[Hashi Benkei]]'' ("[[Benkei]] on the Bridge"), and ''Sagami ama'' ([[ama|pearl divers]] at Sagami).
==References==
*McQueen Tokita, Alison. "Music in kabuki: more than meets the eye." ''The Ashgate Research Companion to Japanese Music''. Surrey: Ashgate Publishing, 2008. pp250-254.
[[Category:Poetry and Theater]]
[[Category:Edo Period]]