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| made in this school of swordmaking, being the traders forbidden to own a | | made in this school of swordmaking, being the traders forbidden to own a |
| long sword. Nonetheless this wealthy class begun to show their real status wearing extremely well made koshirae and pretending top-quality swords. '''Sukehiro''' is the most famous smith of the Osaka school in this period. As Kotetsu’s ones, their blades are rated as | | long sword. Nonetheless this wealthy class begun to show their real status wearing extremely well made koshirae and pretending top-quality swords. '''Sukehiro''' is the most famous smith of the Osaka school in this period. As Kotetsu’s ones, their blades are rated as |
− | '''Sai Jo O Wazamono''', the top of the top in cutting ability. Tests were made to fix such a classification, but this tests weren’t performed with Koto blades, considered too valuable to risk them in '''Tameshigiri''', so this classification must be taken with a grain of salt. Most swords in this period shows '''Yakidashi''' and from now on the hamon type | + | '''Sai Jo O Wazamono''', the top of the top in cutting ability. Tests were made to fix such a classification, but this tests weren’t performed with Koto blades, considered too valuable to risk them in '''Tameshigiri''', so this classification must be taken with a grain of salt. Most swords in this period shows '''Yakidashi''' and from now on the hamon type called '''Toran-Ha''' becomes in fashion. |
− | called '''Toran-Ha''' becomes in fashion. | |
| | | |
| + | * Genroku-Shinto period (1684 -1763) |
| | | |
| + | Genroku is belived to be a golden period for art and manufacturing. |
| + | People (including Samurai) fell into luxurious habits and begun corrupted. |
| + | In this time famous '''Yoshimune''' held the eighth shogunate and acted in |
| + | order to recover social conditions, especially of the Samurai that were |
| + | highly indebted toward the traders class. |
| + | In 1719, Yoshimune ordered each Daimyo to make a report stating the names |
| + | of swordsmiths living in his territory. After this, Yoshimune asked the |
| + | Daimyo to select representative swordsmiths of their territory and called |
| + | them to Edo Castle, commanding them to make swords there. Yoshimune choose |
| + | three most excellent sword smith and allowed them to engrave '''Aoi-mon''' |
| + | (an emblem of Tokugawa family) on their works. Nothwithstanding Yoshimune's |
| + | efforts, the age became to be a sufferings time for swordsmiths due to the |
| + | decreasing martial spirit of the Samurai. In this time a good finance was |
| + | better then a good fighting ability. Therefore, the demand of swords dropped |
| + | sharply. |
| + | The shape of a sword in this period was not as straight as in Kanbun, but |
| + | it returned curved and the width near Kissaki was smaller than near Nakago. |
| + | Swordsmiths in order to achieve orders begun to gave full play to their |
| + | technique on Hamon making hardened edges as drawings. Mount Fuji, |
| + | Mums on water and repeated fantasy designs can be found in Hamon of this |
| + | period. Very skilfully made but far to achieve the feel of more traditional |
| + | ones. |
| | | |
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