Changes

''Bashôfu'', or ''baasaa'' in [[Okinawan language|Okinawan]], is cloth made from the fibers of a particular type of banana plant. The ''ito bashô'', or "thread banana," as it is called, is different from the type which produces edible fruit, and while the plant is not originally indigenous to the Ryukyus, and even today grows only in areas of human habitation, ''bashôfu'' cloth is nevertheless unique to Ryukyuan culture; it is not produced or used in other cultures, e.g. in Southeast Asia. Today, the chief center of ''baasaa'' cloth production in [[Okinawa prefecture|Okinawa]] is the neighborhood of Kijoka in the northern Okinawa ([[Yanbaru]]) village of [[Ogimi|Ôgimi]].

''Bashôfu'', or ''baasaa'' in [[Okinawan language|Okinawan]], is cloth made from the fibers of a particular type of banana plant. The ''ito bashô'', or "thread banana," as it is called, is different from the type which produces edible fruit, and while the plant is not originally indigenous to the Ryukyus, and even today grows only in areas of human habitation, ''bashôfu'' cloth is nevertheless unique to Ryukyuan culture; it is not produced or used in other cultures, e.g. in Southeast Asia. Today, the chief center of ''baasaa'' cloth production in [[Okinawa prefecture|Okinawa]] is the neighborhood of Kijoka in the northern Okinawa ([[Yanbaru]]) village of [[Ogimi|Ôgimi]].

The cloth is made from fibers taken from the center of the main stalk of the plant; fibers closer to the core of the stalk are softer and finer, and are used for the finest ''baasaa'' cloth, while the rougher outer fibers are used for weaving mats and the like. Because of the nature of the material, banana fibers cannot be easily woven or sewn by machine; all ''bashôfu'' production is therefore still done today by hand.<ref>Francesco Montuori, "Okinawa Bashofu and Repackaging After Japanese Annexation," talk given at Okinawan Art in its Regional Context: Historical Overview and Contemporary Practice symposium, University of East Anglia, Norwich, 10 Oct 2019.</ref>

The cloth is made from fibers taken from the center of the main stalk of the plant; fibers closer to the core of the stalk are softer and finer, and are used for the finest ''baasaa'' cloth, while the rougher outer fibers are used for weaving mats and the like. Because of the nature of the material, banana fibers cannot be easily woven or sewn by machine; all ''bashôfu'' production is therefore still done today by hand.<ref name=francesco>Francesco Montuori, "Okinawa Bashofu and Repackaging After Japanese Annexation," talk given at Okinawan Art in its Regional Context: Historical Overview and Contemporary Practice symposium, University of East Anglia, Norwich, 10 Oct 2019.</ref>

A somewhat coarse fabric, ''bashôfu'' is nevertheless used in the Ryukyus for a wide variety of purposes, from robes to underwear, and was worn by people of all social classes, including even royalty.

A somewhat coarse fabric, ''bashôfu'' is nevertheless used in the Ryukyus for a wide variety of purposes, from robes to underwear, and was worn by people of all social classes, including even royalty.

The earliest extant mention of ''bashôfu'' is in a [[1546]] account written by Koreans shipwrecked in the Ryukyus, who also describe how it is made - a process that has remained largely unchanged, at least in certain parts of the Ryukyus, among certain lineages of weavers, down to the present day. The banana fabric is not mentioned as a [[tribute]] good, however, until over forty years later, in [[1587]].

The earliest extant mention of ''bashôfu'' is in a [[1546]] account written by Koreans shipwrecked in the Ryukyus, who also describe how it is made - a process that has remained largely unchanged, at least in certain parts of the Ryukyus, among certain lineages of weavers, down to the present day. The banana fabric is not mentioned as a [[tribute]] good, however, until over forty years later, in [[1587]].

The material is central enough to Okinawan culture that a song called "[http://www.youtube.com/watch?v=6kImjKvDIko Bashôfu]" is among the most well-known and popular folk songs today.

The material is central enough to Okinawan culture that a song called "[http://www.youtube.com/watch?v=6kImjKvDIko Bashôfu]" is among the most well-known and popular folk songs today. Taira Toshiko, a weaver who collaborated with [[Yanagi Soetsu|Yanagi Sôetsu]] in the 1930s and was named a [[Living National Treasure]] in 2000, is the most prominent producer of ''bashôfu'' today, at her workshop in Kijoka.<ref name=francesco/>

{{stub}}

{{stub}}

*Stinchecum, Amanda Mayer. "Textiles of Okinawa." in ''Beyond the Tanabata Bridge: Traditional Japanese Textiles.'' Seattle Art Museum, 1993. pp78-79.

*Stinchecum, Amanda Mayer. "Textiles of Okinawa." in ''Beyond the Tanabata Bridge: Traditional Japanese Textiles.'' Seattle Art Museum, 1993. pp78-79.

*Gallery labels, "Churashima Textiles" exhibition, Shôtô Museum of Art, Sept 2019.

*Gallery labels, "Churashima Textiles" exhibition, Shôtô Museum of Art, Sept 2019.

[[Category:Ryukyu]]

[[Category:Ryukyu]]

[[Category:Art and Architecture]]

[[Category:Art and Architecture]]