| *In the Edo period, there was in most regions no peasant custom as to a widow's obligations to her late husband's family. In widowhood, a woman was particularly free to do as she wished, to remarry or not, to remain with the husband's family or not, to return to her own parents' household or not, to travel, and so forth. Many took the tonsure in order to cement their new status, independent of any family obligations. - Amy Stanley, ''Selling Women: Prostitution, Markets, and the Household in Early Modern Japan'', UC Press (2012), 124. | | *In the Edo period, there was in most regions no peasant custom as to a widow's obligations to her late husband's family. In widowhood, a woman was particularly free to do as she wished, to remarry or not, to remain with the husband's family or not, to return to her own parents' household or not, to travel, and so forth. Many took the tonsure in order to cement their new status, independent of any family obligations. - Amy Stanley, ''Selling Women: Prostitution, Markets, and the Household in Early Modern Japan'', UC Press (2012), 124. |
− | *Statues: Yamato Takeru in Kanazawa (1880) was the first modern statue of a historical figure. This was followed by statues of Emperor Keitai in Fukui City in 1883, of Emperor Jimmu in Tokushima in 1896 and Emperor Jimmu in Toyohashi in 1899, and one of Yamagata Aritomo in Hagi in 1898. - Sven Saaler, "Public Statuary and Nationalism in Modern and Contemporary Japan," Asia-Pacific Journal: Japan Focus 15:20:3 (Oct 15, 2017), 5. | + | *Statues: Yamato Takeru in Kanazawa (1880) was the first modern statue of a historical figure. This was followed by statues of Emperor Keitai in Fukui City in 1883, of Emperor Jimmu in Tokushima in 1896 and Emperor Jimmu in Toyohashi in 1899, and one of Yamagata Aritomo in Hagi in 1898. The first equestrian statue was one of Môri Takachika, one of five statues of Môri lords erected in Hagi months before that of Kusunoki Masashige at the Imperial Palace. Several statues of the Meiji Emperor were made, but all that were put on public display were inside indoor memorial spaces, not out in public, and all in somewhat removed locations like Ibaraki and Saitama - not in Tokyo. The first open public statues of the Meiji Emperor would be erected in 1968 (including the one in Okinawa). During WWII, most public statues were melted down for their bronze. Only about 100 statues survived. Many of the statues destroyed at this time were reconstructed after the war, however. |
| + | - Sven Saaler, "Public Statuary and Nationalism in Modern and Contemporary Japan," Asia-Pacific Journal: Japan Focus 15:20:3 (Oct 15, 2017), 1-11. |
| *In aftermath of [[1616]] bans on Christianity, loads of Japanese converts who had simply adopted Christianity at the orders of their lord renounced the religion. A written oath was required in many cases. Christianity enjoyed numbers around 300,000 in Japan at its peak around [[1615]], but by the late 1630s was reduced to only ''[[kakure Kirishitan]]'' pockets. - Robert Hellyer, Defining Engagements, 47. | | *In aftermath of [[1616]] bans on Christianity, loads of Japanese converts who had simply adopted Christianity at the orders of their lord renounced the religion. A written oath was required in many cases. Christianity enjoyed numbers around 300,000 in Japan at its peak around [[1615]], but by the late 1630s was reduced to only ''[[kakure Kirishitan]]'' pockets. - Robert Hellyer, Defining Engagements, 47. |