Changes

no edit summary
Line 10: Line 10:  
*The Exhibitions Department of the government (hakubutsu kyoku), in preparation for the 1873 Vienna World's Fair, stated that traditional styles (古風) of Japanese painting would make Japan look bad on the world stage. That Japanese painting had yet to achieve the right level of detail and refinement, and that Japanese efforts at depicting realistic scenery (真景) remained poor. - Foxwell, Making Modern Japanese-Style Painting, 7.  
 
*The Exhibitions Department of the government (hakubutsu kyoku), in preparation for the 1873 Vienna World's Fair, stated that traditional styles (古風) of Japanese painting would make Japan look bad on the world stage. That Japanese painting had yet to achieve the right level of detail and refinement, and that Japanese efforts at depicting realistic scenery (真景) remained poor. - Foxwell, Making Modern Japanese-Style Painting, 7.  
 
**Overall, this was the dominant attitude in Japanese art in the early years of the Meiji period - at least among those with their eyes towards what would make Japan look good in Western eyes, and what would sell in Western markets. They felt that they had to adapt to Western modes and styles, in order to accommodate Western desires for detail, realism, and so forth. They would discover, however, that for the most part, Western collectors & art critics wanted Japanese art to look Japanese - to be different from Western art, and to have its own distinctive motifs, style, etc. (Foxwell, 1-2.)
 
**Overall, this was the dominant attitude in Japanese art in the early years of the Meiji period - at least among those with their eyes towards what would make Japan look good in Western eyes, and what would sell in Western markets. They felt that they had to adapt to Western modes and styles, in order to accommodate Western desires for detail, realism, and so forth. They would discover, however, that for the most part, Western collectors & art critics wanted Japanese art to look Japanese - to be different from Western art, and to have its own distinctive motifs, style, etc. (Foxwell, 1-2.)
 +
 +
*Seoul was called 漢城 in the early modern period. - "Qing China as seen from Ryûkyû" 琉球から見た清朝, in Okada Hidehiro (ed.), Shinchô to ha nani ka 清朝とは何か, Fujiwara Shoten (2009), 255.
    
*[[Yarazamori gusuku]] - demolished by the Americans in the early postwar. - plaques at Onoyama Park.[https://www.flickr.com/photos/toranosuke/9529342472/sizes/l]
 
*[[Yarazamori gusuku]] - demolished by the Americans in the early postwar. - plaques at Onoyama Park.[https://www.flickr.com/photos/toranosuke/9529342472/sizes/l]
contributor
27,126

edits