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*Heian gardens are viewed from a stationary position from within the palace, versus Zen gardens meant for contemplation – not for beauty or for poetry - , versus Edo gardens which are walking gardens, for moving through.
*Heian gardens are viewed from a stationary position from within the palace, versus Zen gardens meant for contemplation – not for beauty or for poetry - , versus Edo gardens which are walking gardens, for moving through.
*The earliest extant record listing the names of [[kyogen]] pieces dates to 1464 and is known as the Tadasu-gawara Kanjin-Sarugaku. The diary of Shôjô shônin of Ishiyama Honganji, written c. 1532-1554 indicates some as well, and a volume known as the Tenshô-bon, written in 1578/7, contains synopses of over 100 pieces. Kyôgen no Hon (1642), written by Ôgura Toraaki (d. 1662), 13th head of the Ôgura school, is the earliest real volume of kyogen scripts. In addition to other writings by Toraaki, four other anthologies of kyogen plays were compiled between 1646 and 1660. - Andrew Tsubaki, "The Performing Arts of Sixteenth-Century Japan: A Prelude to Kabuki," Educational Theatre Journal 29:3 (1977), 302.
*The earliest extant record listing the names of [[kyogen]] pieces dates to 1464 and is known as the Tadasu-gawara Kanjin-Sarugaku. The diary of Shôjô shônin of Ishiyama Honganji, written c. 1532-1554 indicates some as well, and a volume known as the Tenshô-bon, written in 1578/7, contains synopses of over 100 pieces. Kyôgen no Hon (1642), written by Ôgura Toraaki (d. 1662), 13th head of the Ôgura school, is the earliest real volume of kyogen scripts. In addition to other writings by Toraaki, four other anthologies of kyogen plays were compiled between 1646 and 1660. - Andrew Tsubaki, "The Performing Arts of Sixteenth-Century Japan: A Prelude to Kabuki," Educational Theatre Journal 29:3 (1977), 302.
*On origins of [[samurai]]/bushi, Karl Friday writes that during the Heian period, they were essentially ''miyako no musha'', with much closer associations to their social peers within the Court & aristocracy than to a warrior or bushi identity, and that it was only after the establishment of the Kamakura shogunate and of the gokenin hierarchy that a distinctive bushi identity began to emerge. More details of his argument/explanation can be seen at: Karl Friday, Samurai Warfare and the State in Early Medieval Japan, Routledge (2004), 10.
*On origins of [[samurai]]/bushi, Karl Friday writes that during the Heian period, they were essentially ''miyako no musha'', with much closer associations to their social peers within the Court & aristocracy than to a warrior or bushi identity, and that it was only after the establishment of the Kamakura shogunate and of the gokenin hierarchy that a distinctive bushi identity began to emerge. More details of his argument/explanation can be seen at: Karl Friday, Samurai Warfare and the State in Early Medieval Japan, Routledge (2004), 10.
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