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Though it's presumed that he wrote many more, five plays by Tamagusuku survive today, and are still performed<ref name=jinmei/>. They are known today as ''Chôkun no Goban'' ("The Chôkun Five Plays") or just ''Goban'' ("The Five Plays")<ref name=shimpo/>. The other three are: ''Mekarushi'', ''Kôkô nu Maki'' (Filial Piety), and ''Unna Munu Gurui'' (The Madwoman)<ref name=foley/>.
Though it's presumed that he wrote many more, five plays by Tamagusuku survive today, and are still performed<ref name=jinmei/>. They are known today as ''Chôkun no Goban'' ("The Chôkun Five Plays") or just ''Goban'' ("The Five Plays")<ref name=shimpo/>. The other three are: ''Mekarushi'', ''Kôkô nu Maki'' (Filial Piety), and ''Unna Munu Gurui'' (The Madwoman)<ref name=foley/>.
Chôkun's lineage remained prominent arts practitioners, following after him. His son [[Okudaira Choki|Okudaira ''peechin'' Chôki]] performed six Noh dances for King [[Sho Kei|Shô Kei]] in [[1738]], and Chôki's son, [[Okudaira Chogi|Okudaira ''peechin'' Chôgi]], is known to have practiced ''[[kusemai]]'' Noh.<ref>Miyagi Eishô 宮城栄昌, ''Ryûkyû shisha no Edo nobori'' 琉球使者の江戸上り, Tokyo: Daiichi Shobô (1982), 49.</ref>
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