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Eitoku died in 1590 and was succeeded as head of the school by his son [[Kano Mitsunobu|Kanô Mitsunobu]] (1561-1608), though his pupil & adopted son [[Kano Sanraku|Kanô Sanraku]] would also be a significant artist of this next generation of the school's history.<ref name=mason255/>
Eitoku died in 1590 and was succeeded as head of the school by his son [[Kano Mitsunobu|Kanô Mitsunobu]] (1561-1608), though his pupil & adopted son [[Kano Sanraku|Kanô Sanraku]] would also be a significant artist of this next generation of the school's history.<ref name=mason255/>
[[Kano Tanyu|Kanô Tan'yû]] was named an official court painter to the Tokugawa shogunate in [[1617]], marking the beginning of the school's official relationship with the shogunate. Tan'yû was easily one of the most significant artists of the early decades of the Edo period.
[[Kano Sadanobu|Kanô Sadanobu]] died in [[1623]], and was succeeded as head of the school by [[Kano Yasunobu|Kanô Yasunobu]].
The popular/commoner art form ''[[ukiyo-e]]'' ("pictures of the floating world") developed out of Kanô, [[Tosa school|Tosa]], and other influences over the course of the 17th century, coming into its own by the end of that century. Many of the earliest greatest ''ukiyo-e'' artists, such as [[Iwasa Matabei]] and [[Hishikawa Moronobu]], had at least some background in Kanô school training.
[[Kano Hogai|Kanô Hôgai]] is often cited as the last great Kanô painter. The son of [[Kano Seiko|Kanô Seikô]], a court painter for the lord of [[Chofu han|Chôfu domain]] in [[Shimonoseki]], Hôgai later moved to [[Tokyo]], where he produced a number of works on commission for the shogunate, including a ceiling painting for the Ôhiroma, the main audience hall of [[Edo castle]], following the building's reconstruction after a fire. In the 1880s, at the encouragement and patronage of [[Ernest Fenollosa]] and [[Okakura Kakuzo|Okakura Kakuzô]], Hôgai became one of the first leading ''[[Nihonga]]'' painters, combining Kanô techniques, aesthetics, and themes & motifs with Western ones to create and promote a new form of "neo-traditional" and "national" Japanese painting. While aspects of the Kanô tradition remain very much embedded in ''Nihonga'' painting today, perhaps as early as [[1900]], even in the comparatively conservative Kyoto art world, artists and works were no longer being described as belonging to specific Edo period schools.<ref>"[http://kotobank.jp/word/%E7%8B%A9%E9%87%8E%E8%8A%B3%E5%B4%96 Kanô Hôgai]," ''Asahi Nihon rekishi jinbutsu jiten'' 朝日日本歴史人物事典, Asahi Shimbunsha.; Conant, Ellen (ed.). ''Nihonga: Transcending the Past''. The Saint Louis Art Museum, 1995. </ref>
[[Kano Hogai|Kanô Hôgai]] is often cited as the last great Kanô painter. The son of [[Kano Seiko|Kanô Seikô]], a court painter for the lord of [[Chofu han|Chôfu domain]] in [[Shimonoseki]], Hôgai later moved to [[Tokyo]], where he produced a number of works on commission for the shogunate, including a ceiling painting for the Ôhiroma, the main audience hall of [[Edo castle]], following the building's reconstruction after a fire. In the 1880s, at the encouragement and patronage of [[Ernest Fenollosa]] and [[Okakura Kakuzo|Okakura Kakuzô]], Hôgai became one of the first leading ''[[Nihonga]]'' painters, combining Kanô techniques, aesthetics, and themes & motifs with Western ones to create and promote a new form of "neo-traditional" and "national" Japanese painting. While aspects of the Kanô tradition remain very much embedded in ''Nihonga'' painting today, perhaps as early as [[1900]], even in the comparatively conservative Kyoto art world, artists and works were no longer being described as belonging to specific Edo period schools.<ref>"[http://kotobank.jp/word/%E7%8B%A9%E9%87%8E%E8%8A%B3%E5%B4%96 Kanô Hôgai]," ''Asahi Nihon rekishi jinbutsu jiten'' 朝日日本歴史人物事典, Asahi Shimbunsha.; Conant, Ellen (ed.). ''Nihonga: Transcending the Past''. The Saint Louis Art Museum, 1995. </ref>
*[[Kano Shoei|Kanô Shôei]] (1514-1562)
*[[Kano Shoei|Kanô Shôei]] (1514-1562)
*[[Kano Eitoku|Kanô Eitoku]] (1543-1590)
*[[Kano Eitoku|Kanô Eitoku]] (1543-1590)
*[[Kano Genshin|Kanô Genshin]]
*[[Kano Mitsunobu|Kanô Mitsunobu]] (1561-1608)
*[[Kano Mitsunobu|Kanô Mitsunobu]] (1561-1608)
*[[Kano Takanobu|Kanô Takanobu]] (1571-1618)
*[[Kano Takanobu|Kanô Takanobu]] (1571-1618)
*[[Kano Sanraku|Kanô Sanraku]] (1559-1635)
*[[Kano Sanraku|Kanô Sanraku]] (1559-1635)
*[[Kano Sansetsu|Kanô Sansetsu]] (d. 1651)
*[[Kano Tanyu|Kanô Tan'yû]]
*[[Kano Tanyu|Kanô Tan'yû]]
*[[Kano Masunobu|Kanô Masunobu]]
*[[Kano Shunko|Kanô Shunko]] (d. 1726)
*[[Kano Tanshin|Kanô Tanshin]] (1653-1718)
*[[Kano Osanobu|Kanô Seisen'in]] (Osanobu)
*[[Kano Osanobu|Kanô Seisen'in]] (Osanobu)
*[[Kano Tadanobu|Kanô Shôsen'in Tadanobu]]
*[[Kano Tadanobu|Kanô Shôsen'in Tadanobu]]