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The Ôtemon 大手門 was the main gate leading into the ''honmaru'' (central bailey) of the castle, where the majority of administrative and residential spaces were located. Low- to middle-ranking samurai were obliged to dismount from their horses or palanquins before passing over the bridge leading to this gate. Those granted an exception were known as ''jôyo ijô'' (乗輿以上, lit. "palanquin riders and up"), and included those over 500 ''koku'' in income, and those over fifty years of age. After passing through the Ôtemon, one would cross another bridge, then pass through another series of gates - the Ôtesan-no-mon, Chûnomon, and Chûjakumon - before coming to the entrance hall (''genkan'') of the ''honmaru'' palace. The highest-ranking visitors to the castle, including members of the ''[[Gosanke]]'' and the abbot of [[Nikko|Nikkô's]] [[Rinno-ji|Rinnô-ji]]<ref>A Buddhist temple associated with the Tokugawa's [[Nikko Toshogu|Nikkô Tôshôgû]] shrine, its head was typically an Imperial prince.</ref>, were permitted to remain in their palanquins up until the Chûnomon, where they too had to dismount. Beyond each of these two dismounting points, visitors were restricted in the size of entourage they could bring along with them. For example, a ''[[kunimochi]] daimyô'' such as the [[Shimazu clan]] lord of [[Satsuma han]] could only bring with him six samurai retainers, one sandal-bearer, two ''[[hasamibako]]'' (luggage) carriers, and four palanquin carriers past the Ôtemon, and then had to leave three of those samurai retainers, half the luggage carriers (along with the luggage itself), and all of the palanquin carriers (along with the palanquin) at the second dismounting point. Finally, upon reaching the entrance hall (''genkan''), even such a high-ranking ''daimyô'' as this would be forced to enter the castle alone. This was perhaps in part a security measure, but was also a great show of the shogun's power (to be able to require that of even such a powerful lord), and of the ''daimyô's'' acknowledgement of that power & authority, and willing submission to it. Lower-ranking ''daimyô'', as well as other official visitors to the castle, were restricted to even smaller entourages during this brief journey between the Ôtemon and the castle ''genkan''.<ref>Fukai Masaumi, ''Edo-jô wo yomu'', Harashobô (1997), 18-19.</ref>

The Ôtemon 大手門 was the main gate leading into the ''honmaru'' (central bailey) of the castle, where the majority of administrative and residential spaces were located. Low- to middle-ranking samurai were obliged to dismount from their horses or palanquins before passing over the bridge leading to this gate. Those granted an exception were known as ''jôyo ijô'' (乗輿以上, lit. "palanquin riders and up"), and included those over 500 ''koku'' in income, and those over fifty years of age. After passing through the Ôtemon, one would cross another bridge, then pass through another series of gates - the Ôtesan-no-mon, Chûnomon, and Chûjakumon - before coming to the entrance hall (''genkan'') of the ''honmaru'' palace. The highest-ranking visitors to the castle, including members of the ''[[Gosanke]]'' and the abbot of [[Nikko|Nikkô's]] [[Rinno-ji|Rinnô-ji]]<ref>A Buddhist temple associated with the Tokugawa's [[Nikko Toshogu|Nikkô Tôshôgû]] shrine, its head was typically an Imperial prince.</ref>, were permitted to remain in their palanquins up until the Chûnomon, where they too had to dismount. Beyond each of these two dismounting points, visitors were restricted in the size of entourage they could bring along with them. For example, a ''[[kunimochi]] daimyô'' such as the [[Shimazu clan]] lord of [[Satsuma han]] could only bring with him six samurai retainers, one sandal-bearer, two ''[[hasamibako]]'' (luggage) carriers, and four palanquin carriers past the Ôtemon, and then had to leave three of those samurai retainers, half the luggage carriers (along with the luggage itself), and all of the palanquin carriers (along with the palanquin) at the second dismounting point. Finally, upon reaching the entrance hall (''genkan''), even such a high-ranking ''daimyô'' as this would be forced to enter the castle alone. This was perhaps in part a security measure, but was also a great show of the shogun's power (to be able to require that of even such a powerful lord), and of the ''daimyô's'' acknowledgement of that power & authority, and willing submission to it. Lower-ranking ''daimyô'', as well as other official visitors to the castle, were restricted to even smaller entourages during this brief journey between the Ôtemon and the castle ''genkan''.<ref>Fukai Masaumi, ''Edo-jô wo yomu'', Harashobô (1997), 18-19.</ref>

The ''ôhiroma'' (大広間, great audience hall) was among the spaces closest to the entrance to the castle, and thus furthest from the center of the complex. It was used for audiences with foreign emissaries or powerful ''tozama daimyô'', and for other highly formal ceremonies. By contrast, the ''shiroshoin'' ("white study / writing room"), closer to the castle's interior, was used for audiences with ''fudai daimyô'' and the shogun's relatives, while the ''kuroshoin'' ("black study / writing room"), closer still to the interior, was used for meetings with the shogun's most trusted retainers and highest-ranking officials. These two rooms were constructed in white wood and black lacquered wood, respectively.<ref>Arai Hakuseki, Joyce Ackroyd (trans.), ''Told Round a Brushwood Fire'', University of Tokyo Press (1979), 289n38.</ref>

Upon entering the ''genkan'', one would turn left to enter the ''ôhiroma'' (大広間, great audience hall). Consisting of a number of connected rooms roughly 500 tatami mats in area,<ref name=fukai22>Fukai, 22.</ref> in total, the ''ôhiroma''  was among the spaces closest to the entrance to the castle, and thus furthest from the center of the complex. It was used for audiences with foreign emissaries or powerful ''tozama daimyô'', and for other highly formal ceremonies. By contrast, the ''shiroshoin'' ("white study / writing room"), closer to the castle's interior, was used for audiences with ''fudai daimyô'' and the shogun's relatives, while the ''kuroshoin'' ("black study / writing room"), closer still to the interior, was used for meetings with the shogun's most trusted retainers and highest-ranking officials. These two rooms were constructed in white wood and black lacquered wood, respectively.<ref>Arai Hakuseki, Joyce Ackroyd (trans.), ''Told Round a Brushwood Fire'', University of Tokyo Press (1979), 289n38.</ref>

The ''ôhiroma'' contained three platforms of different heights, called ''dan'', allowing the shogun to sit not only at a distance from his formal visitors, but also physically above them. Only the highest-ranking retainers and guests were permitted to sit within the ''ôhiroma'', and then only in certain ''dan'', in accordance with their rank. Wrapping around an inner garden, and thus forming a U-shape with the three ''dan'', were three antechambers, known respectively as the ''ni-'', ''san-'', and ''yon-no-ma''. The ''shiroshoin'' was arranged similarly, though on a smaller scale, with two ''dan'', two audience rooms, and two antechambers. ''Fudai daimyô'' too wealthy/powerful to be entrusted with the authority associated with the positions of ''[[roju|rôjû]]'' or ''[[wakadoshiyori]]'' were seated in a nearby room known as the ''tamari no ma'', adjacent to the ceremonial chambers, and closest of all the ''daimyô'' waiting rooms to the shogunal residence.<ref>Mitani, xxv.</ref>

The ''ôhiroma'' contained three platforms of different heights, called ''dan'', allowing the shogun to sit not only at a distance from his formal visitors, but also physically above them. Only the highest-ranking retainers and guests were permitted to sit within the ''ôhiroma'', and then only in certain ''dan'', in accordance with their rank. Wrapping around an inner garden, and thus forming a U-shape with the three ''dan'', were three antechambers, known respectively as the ''ni-'', ''san-'', and ''yon-no-ma''. The ''shiroshoin'' was arranged similarly, though on a smaller scale, with two ''dan'', two audience rooms, and two antechambers. ''Fudai daimyô'' too wealthy/powerful to be entrusted with the authority associated with the positions of ''[[roju|rôjû]]'' or ''[[wakadoshiyori]]'' were seated in a nearby room known as the ''tamari no ma'', adjacent to the ceremonial chambers, and closest of all the ''daimyô'' waiting rooms to the shogunal residence.<ref>Mitani, xxv.</ref>

Beyond these various audience halls lay the shogun's personal quarters, along with the [[Ooku|Ôoku]].

Beyond these various audience halls lay the shogun's personal quarters, along with the [[Ooku|Ôoku]].