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Created page with "*''Born: 1301'' *''Died: 1374'' *''Chinese'': 倪瓚 ''(Ni Zan)'' Ni Zan was a Chinese ink painter of the Yuan Dynasty. He is regarded as one of the greatest pain..."
*''Born: [[1301]]''
*''Died: [[1374]]''
*''Chinese'': 倪瓚 ''(Ni Zan)''
Ni Zan was a Chinese ink painter of the [[Yuan Dynasty]]. He is regarded as one of the greatest painters of his time. He is known especially for his sparse landscapes devoid of human figures.
Ni Zan was born into a wealthy land-owning family, and once he inherited the family fortune, he built up an extensive collection of books, paintings and works of calligraphy. Despite his wealth, in his paintings, he was an important predecessor to the [[literati painting]] tradition, painting scenes of remote rural retreat and retirement. Further, he and his contemporaries, such as [[Zhao Mengfu]], represent an important art historical step towards later, [[Ming Dynasty]], developments in the embrace of privileging expressive line, symbolic representation, and a feigned amateurishness of depiction, over realistic recreation.
{{stub}}
==References==
*Valerie Hansen, ''The Open Empire'', New York: W.W. Norton & Company (2000), 363-365.
[[Category:Artists and Artisans]]
[[Category:Muromachi Period]]
*''Died: [[1374]]''
*''Chinese'': 倪瓚 ''(Ni Zan)''
Ni Zan was a Chinese ink painter of the [[Yuan Dynasty]]. He is regarded as one of the greatest painters of his time. He is known especially for his sparse landscapes devoid of human figures.
Ni Zan was born into a wealthy land-owning family, and once he inherited the family fortune, he built up an extensive collection of books, paintings and works of calligraphy. Despite his wealth, in his paintings, he was an important predecessor to the [[literati painting]] tradition, painting scenes of remote rural retreat and retirement. Further, he and his contemporaries, such as [[Zhao Mengfu]], represent an important art historical step towards later, [[Ming Dynasty]], developments in the embrace of privileging expressive line, symbolic representation, and a feigned amateurishness of depiction, over realistic recreation.
{{stub}}
==References==
*Valerie Hansen, ''The Open Empire'', New York: W.W. Norton & Company (2000), 363-365.
[[Category:Artists and Artisans]]
[[Category:Muromachi Period]]