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| Yang first caught the eye of Emperor Xuanzong when he was nearly sixty; she was at that time married to one of his sons. Yang left the Court and became a [[Daoism|Daoist]] for a time, and her husband remarried. Some time later, she then re-entered Court, as a consort to Emperor Xuanzong, who called her "Precious Consort" (''Guifei''), the name by which she is now known. Her true name is lost to history. | | Yang first caught the eye of Emperor Xuanzong when he was nearly sixty; she was at that time married to one of his sons. Yang left the Court and became a [[Daoism|Daoist]] for a time, and her husband remarried. Some time later, she then re-entered Court, as a consort to Emperor Xuanzong, who called her "Precious Consort" (''Guifei''), the name by which she is now known. Her true name is lost to history. |
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− | Yang and the Emperor were quite close, but a part-[[Sogdian]], part-Turkic general by the name of An Lushan attracted her eye as well; Yang formally adopted An in [[751]]. An Lushan later led [[An Lushan Rebellion|a rebellion]] which has become one of the most prominent events in early Chinese history; in [[755]] or [[756]], Xuanzong and Yang Guifei were forced to flee the capital of [[Chang'an]], making their way to the former state of Shu, a scene depicted in countless paintings and other works of art & literature since. The two were killed shortly afterwards; An Lushan's rebellion went on for several years but was eventually suppressed, and power restored to the Tang Court. | + | Yang and the Emperor were quite close, but a part-[[Sogdian]], part-Turkic general by the name of An Lushan attracted her eye as well; Yang formally adopted An in [[751]]. An Lushan later led [[An Lushan Rebellion|a rebellion]] which has become one of the most prominent events in early Chinese history; in [[755]] or [[756]], Xuanzong and Yang Guifei were forced to flee the capital of [[Chang'an]], making their way to the former state of Shu ([[Sichuan province]]), a scene depicted in countless paintings and other works of art & literature since. The two were killed shortly afterwards; An Lushan's rebellion went on for several years but was eventually suppressed, and power restored to the Tang Court. |
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| The most famous work relating the story, or legend, of Yang Guifei is [[Bai Juyi]]'s poem "[[The Tale of Everlasting Sorrow]]," which was written mere decades after the events themselves took place. Yang Guifei appears as well in countless Japanese paintings and ''[[ukiyo-e]]'' woodblock prints, and in [[kabuki]] plays, chief among them the eponymous ''[[Yokihi|Yôkihi]]''. | | The most famous work relating the story, or legend, of Yang Guifei is [[Bai Juyi]]'s poem "[[The Tale of Everlasting Sorrow]]," which was written mere decades after the events themselves took place. Yang Guifei appears as well in countless Japanese paintings and ''[[ukiyo-e]]'' woodblock prints, and in [[kabuki]] plays, chief among them the eponymous ''[[Yokihi|Yôkihi]]''. |
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| ==References== | | ==References== |
− | *Valerie Hansen, ''The Open Empire'', New York: W.W. Norton & Company (2000), 222. | + | *Valerie Hansen, ''The Open Empire'', New York: W.W. Norton & Company (2000), 222-224. |
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| [[Category:Women]] | | [[Category:Women]] |
| [[Category:Nara Period]] | | [[Category:Nara Period]] |