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*''Japanese'': 久米三十六姓 ''(Kume sanjuuroku sei)''
 
*''Japanese'': 久米三十六姓 ''(Kume sanjuuroku sei)''
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The Ryukyuan community of [[Kumemura]], and the scholar-bureaucrat aristocracy that was historically based there, trace their origins to a group of 36 families of the southern Chinese Min (閩) ethnic group who traveled to [[Okinawa Island|Okinawa]] from [[Fujian province]] and settled there in [[1392]], establishing the community of Kumemura.
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The Ryukyuan community of [[Kumemura]], and the scholar-bureaucrat aristocracy that was historically based there, trace their origins to a supposed group of 36 families of the southern Chinese Min (閩) ethnic group who traveled to [[Okinawa Island|Okinawa]] from [[Fujian province]] and settled there in [[1392]], establishing the community of Kumemura. Some scholars, however, identify the 35 Min families as a myth, arguing that instead the influx of Chinese immigrants into Ryûkyû in the 14th century was a more complex and gradual process, involving some greater number of immigrants coming to the islands across a wider span of time.<ref>[[Gregory Smits]], presentation at "[http://www.hawaii.edu/asiaref/japan/event2013/Index.htm#symposium Interpreting Parades and Processions of Edo Japan]" symposium, University of Hawaii at Manoa, 11 Feb 2013.</ref>
    
The 36 families are said to have been commoners, and mostly shipbuilders and navigators, but an aristocracy grounded in the [[Confucianism|Confucian]] classics and based on the model of the Chinese system of scholar-bureaucrats grew out of their community. They are believed to have also introduced to Okinawa the ''sanxian'', a musical instrument out of which the Okinawan [[sanshin]] would later develop.<ref>Thompson, Robin. "The Sanshin and its Place in Okinawan Music." ''Okinawa bijutsu zenshû'' 沖縄美術全集. vol. 5. pp. ii-iii.</ref>
 
The 36 families are said to have been commoners, and mostly shipbuilders and navigators, but an aristocracy grounded in the [[Confucianism|Confucian]] classics and based on the model of the Chinese system of scholar-bureaucrats grew out of their community. They are believed to have also introduced to Okinawa the ''sanxian'', a musical instrument out of which the Okinawan [[sanshin]] would later develop.<ref>Thompson, Robin. "The Sanshin and its Place in Okinawan Music." ''Okinawa bijutsu zenshû'' 沖縄美術全集. vol. 5. pp. ii-iii.</ref>
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