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| The son of an [[Edo]]-based publisher, Shigemasa was largely self-taught in painting and print design, though he might have trained for a time with an obscure [[Kano school|Kanô school]] artist. | | The son of an [[Edo]]-based publisher, Shigemasa was largely self-taught in painting and print design, though he might have trained for a time with an obscure [[Kano school|Kanô school]] artist. |
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− | He began producing prints in the period when the ''[[beni-e]]'' ("rose print") mode dominated, but his more famous and distinctive works came in the late 1760s to 1770s, after the advent of the full-color ''[[nishiki-e]]'' print. | + | He began producing prints in the period when the ''[[beni-e]]'' ("rose print") mode dominated, but his more famous and distinctive works came in the late 1760s to 1770s, after the advent of the full-color ''[[nishiki-e]]'' print. He produced relatively few paintings and single-sheet prints, focusing chiefly on designs for books, illustrating over 300 over the course of his career. |
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| Shigemasa's works, particularly his most famous works depicting [[geisha]], are marked by fuller forms than the thin, willowy girls of [[Suzuki Harunobu|Harunobu]]'s prints, and by the close, dramatic grouping of figures, something which would go on to be employed extensively by [[Utamaro]] and others. | | Shigemasa's works, particularly his most famous works depicting [[geisha]], are marked by fuller forms than the thin, willowy girls of [[Suzuki Harunobu|Harunobu]]'s prints, and by the close, dramatic grouping of figures, something which would go on to be employed extensively by [[Utamaro]] and others. |
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− | His students included [[Santo Kyoden|Santô Kyôden]], [[Kitao Masayoshi]], and [[Kubo Shunman|Kubô Shunman]]. | + | His students included [[Santo Kyoden|Santô Kyôden]], [[Kitao Masayoshi]], and [[Kubo Shunman]]. |
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| ==References== | | ==References== |
| *Lane, Richard. ''Images from the Floating World''. New York: Konecky & Konecky, 1978. p128. | | *Lane, Richard. ''Images from the Floating World''. New York: Konecky & Konecky, 1978. p128. |
| + | *Morse, Anne Nishmura et al. ''The Allure of Edo: Ukiyo-e Painting from the Museum of Fine Arts, Boston'' (江戸の誘惑: ボストン美術館所蔵 肉筆浮世絵展, ''Edo no yûwaku: Bosuton bijutsukan shozô nikuhitsu ukiyoe ten''). Tokyo: Asahi Shimbun-sha, 2006. p184. |
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| [[Category:Edo Period]] | | [[Category:Edo Period]] |
| [[Category:Artists and Artisans]] | | [[Category:Artists and Artisans]] |