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Nishikawa Sukenobu was a prominent early ''[[ukiyo-e]]'' artist and designer of book illustrations in the Kyoto area. Even more prolific than his rough contemporaries [[Hishikawa Moronobu]] (d. 1694) and [[Yoshida Hanbei]] (active c. 1664-1690), Sukenobu designed thousands of illustrations for over two hundred books.
Nishikawa Sukenobu was a prominent early ''[[ukiyo-e]]'' artist and designer of book illustrations in the Kyoto area. Even more prolific than his rough contemporaries [[Hishikawa Moronobu]] (d. 1694) and [[Yoshida Hanbei]] (active c. 1664-1690), Sukenobu designed thousands of illustrations for over two hundred books.
He trained from a young age in the painting styles of the [[Kano school|Kanô]] and [[Tosa school]]s, only first beginning to produce book illustrations and other works of "popular" art around 1698. Many of his works prominently feature [[bijinga|beautiful women]], many of them showing particular creativity and taste in inventing kimono designs; Sukenobu was in fact commissioned on several occasions by kimono-makers to create textile designs for them.
He trained from a young age in the painting styles of the [[Kano school|Kanô]] and [[Tosa school]]s; it is said he trained specifically under [[Kano Eino|Kanô Einô]] and [[Tosa Mitsusuke]]<ref name=yuwaku>''Edo no yûwaku: bosuton bijutsukan shozô nikuhitsu ukiyoe ten'' (江戸の誘惑・ボストン美術館所蔵肉筆浮世絵展、"The Allure of Edo: Ukiyo-e Painting from the Museum of Fine Arts, Boston"). Tokyo: Asahi Shimbun-sha, 2006. p186.</ref>, only first beginning to produce book illustrations and other works of "popular" art around 1698. Shortly afterward he began working with the [[Hachimonjiya]] publishers/booksellers, producing illustrations for ''[[ukiyo-e zoshi|ukiyo-e zôshi]]'', ''[[hyobanki|yakusha hyôbanki]]'' (actor critiques & rankings), and other works. His name first appeared on the [[colophon]] for a book in 1708, and the first illustrated book (''ehon'') he fully designed himself was published in 1723<ref name=yuwaku/>.
Many of his works prominently feature [[bijinga|beautiful women]], many of them showing particular creativity and taste in inventing kimono designs; Sukenobu was in fact commissioned on several occasions by kimono-makers to create textile designs for them.
Most of his works, however, are said to have focused upon romantic fictions or the hobbies and pleasures of the women of Kyoto. ''Ukiyo-e'' expert [[Richard Lane]] writes that Sukenobu's style was profoundly influential, and characterized by a "subdued conception of lovely, unobtrusive grace (perhaps closer to actual Japanese womanhood than that of any other artist"<ref>Lane. p58.</ref>.
Most of his works, however, are said to have focused upon romantic fictions or the hobbies and pleasures of the women of Kyoto. ''Ukiyo-e'' expert [[Richard Lane]] writes that Sukenobu's style was profoundly influential, and characterized by a "subdued conception of lovely, unobtrusive grace (perhaps closer to actual Japanese womanhood than that of any other artist"<ref>Lane. p58.</ref>.
Sukenobu is not said to have had any direct pupils of particular note. While his work is said to have been a significant influence upon the entire ''ukiyo-e'' tradition, its influence is most especially seen in the work of [[Suzuki Harunobu]].
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