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"The magistrate offices of North and South Edo, which took turns overseeing city administration, from fire prevention and publishing activities [i.e. censorship], to the adjudication of civil suits, operated with a staff of about 500 samurai officers. Of this number, only 24 were assigned to 'patrol duties' resembling the function of a modern police officer." - Ikegami Eiko, Bonds of Civility, p307.
"The magistrate offices of North and South Edo, which took turns overseeing city administration, from fire prevention and publishing activities [i.e. censorship], to the adjudication of civil suits, operated with a staff of about 500 samurai officers. Of this number, only 24 were assigned to 'patrol duties' resembling the function of a modern police officer." - Ikegami Eiko, Bonds of Civility, p307.
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Styles of short lyric songs accompanied on shamisen, popular in the licensed quarters, included kouta, hauta, utazawa, dodoitsu, and zokkyoku. Kouta remains a prominent element of the geisha musical repertoire.
Kouta, which formed the basis of kabuki music before the advent of nagauta, along with hauta, were later incorporated into nagauta, joruri, folk, and popular music. - *McQueen Tokita, Alison. "Music in kabuki: more than meets the eye." ''The Ashgate Research Companion to Japanese Music''. Surrey: Ashgate Publishing, 2008. p248.
