Difference between revisions of "Park Yeon"
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Park Yeon was a Korean scholar-official and musician in the [[Joseon]] court. He is credited with developing a new type of ''pyeongyeong'' (C: ''biānqìng''), a type of ancient Chinese lithophone percussion instrument, which he updated with the addition of pitch pipes. | Park Yeon was a Korean scholar-official and musician in the [[Joseon]] court. He is credited with developing a new type of ''pyeongyeong'' (C: ''biānqìng''), a type of ancient Chinese lithophone percussion instrument, which he updated with the addition of pitch pipes. | ||
| − | Born into a scholar-official family, Park passed the Confucian exams and earned a position in the bureaucracy in [[1424]]. However, soon afterwards he left his bureaucratic post in favor of serving as a court musician. | + | Born into a scholar-official family, Park passed the Confucian exams and earned a position in the bureaucracy in [[1424]]. However, soon afterwards he left his bureaucratic post in favor of serving as a court musician. In [[1430]], he studied [[Ming Dynasty]] treatises on ceremonial music, adapting them to Korean court music and developing new, simplified forms of ceremonial music which Korean tradition today says were easier to transmit to later generations. |
{{stub}} | {{stub}} | ||
==References== | ==References== | ||
| − | *Gallery labels, The Story of King Sejong.[https://www.flickr.com/photos/toranosuke/35134662373/sizes/l] | + | *Gallery labels, The Story of King Sejong.[https://www.flickr.com/photos/toranosuke/35134662373/sizes/l][https://www.flickr.com/photos/toranosuke/35773554922/sizes/l] |
[[Category:Muromachi Period]] | [[Category:Muromachi Period]] | ||
[[Category:Artists and Artisans]] | [[Category:Artists and Artisans]] | ||
Revision as of 03:43, 21 September 2017
Park Yeon was a Korean scholar-official and musician in the Joseon court. He is credited with developing a new type of pyeongyeong (C: biānqìng), a type of ancient Chinese lithophone percussion instrument, which he updated with the addition of pitch pipes.
Born into a scholar-official family, Park passed the Confucian exams and earned a position in the bureaucracy in 1424. However, soon afterwards he left his bureaucratic post in favor of serving as a court musician. In 1430, he studied Ming Dynasty treatises on ceremonial music, adapting them to Korean court music and developing new, simplified forms of ceremonial music which Korean tradition today says were easier to transmit to later generations.
