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Tokugawa Masako or Kazuko, better known today by the Buddhist name she took in retirement, Tôfukumon'in, was empress consort to [[Emperor Go-Mizunoo]] (r. [[1611]]-[[1629]]) and granddaughter of [[Tokugawa Ieyasu]]. She was a particularly prominent and influential figure in the early decades of the [[Edo period]], particularly in terms of Imperial-shogunate ties and relations, and artistic patronage.

Tokugawa Masako or Kazuko, better known today by the Buddhist name she took in retirement, Tôfukumon'in, was empress consort to [[Emperor Go-Mizunoo]] (r. [[1611]]-[[1629]]) and granddaughter of [[Tokugawa Ieyasu]]. She was a particularly prominent and influential figure in the early decades of the [[Edo period]], particularly in terms of Imperial-shogunate ties and relations, and artistic patronage.

She was married at the age of 14 to Emperor Go-Mizunoo, who was compelled to take her as his consort for political reasons. They had three children, all daughters. The eldest succeeded Go-Mizunoo as ''tennô'', becoming [[Empress Meisho|Empress Meishô]]. The two younger daughters were Princess Teruko (1625-1651) who married [[Konoe Hisatsugu]], and Princess Akiko (1629-1675), also known as the Third Princess.<ref>Cecilia Segawa Seigle, "Shinanomiya Tsuneko: Portrait of a Court Lady," in Anne Walthall (ed.), ''The Human Tradition in Modern Japan'', Scholarly Resources, Inc. (2002), 5.</ref>

She was married in [[1620]]<ref>Kurushima Hiroshi 久留島浩, “Morisuna, makisuna, kazari teoke, hôki, kinsei ni okeru chisô no hitotsu toshite” 盛砂・蒔砂・飾り手桶・箒 : 近世における「馳走」の一つとして, ''Shigaku zasshi'' 95:8 (1986), 1373.</ref>, at the age of 14 to Emperor Go-Mizunoo, who was compelled to take her as his consort for political reasons. They had three children, all daughters. The eldest succeeded Go-Mizunoo as ''tennô'', becoming [[Empress Meisho|Empress Meishô]]. The two younger daughters were Princess Teruko (1625-1651) who married [[Konoe Hisatsugu]], and Princess Akiko (1629-1675), also known as the Third Princess.<ref>Cecilia Segawa Seigle, "Shinanomiya Tsuneko: Portrait of a Court Lady," in Anne Walthall (ed.), ''The Human Tradition in Modern Japan'', Scholarly Resources, Inc. (2002), 5.</ref>

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