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Upon entering the ''genkan'', one would turn left to enter the ''ôhiroma'' (大広間, great audience hall). Consisting of a number of connected rooms roughly 500 tatami mats in area,<ref name=fukai22>Fukai, 22.</ref> in total, the ''ôhiroma''  was among the spaces closest to the entrance to the castle, and thus furthest from the center of the complex. It was used for audiences with foreign emissaries or powerful ''tozama daimyô'', and for other highly formal ceremonies. By contrast, the ''shiroshoin'' ("white study / writing room"), closer to the castle's interior, was used for audiences with ''fudai daimyô'' and the shogun's relatives, while the ''kuroshoin'' ("black study / writing room"), closer still to the interior, was used for meetings with the shogun's most trusted retainers and highest-ranking officials. These two rooms were constructed in white wood and black lacquered wood, respectively.<ref>Arai Hakuseki, Joyce Ackroyd (trans.), ''Told Round a Brushwood Fire'', University of Tokyo Press (1979), 289n38.</ref>

Upon entering the ''genkan'', one would turn left to enter the ''ôhiroma'' (大広間, great audience hall). Consisting of a number of connected rooms roughly 500 tatami mats in area,<ref name=fukai22>Fukai, 22.</ref> in total, the ''ôhiroma''  was among the spaces closest to the entrance to the castle, and thus furthest from the center of the complex. It was used for audiences with foreign emissaries or powerful ''tozama daimyô'', and for other highly formal ceremonies. By contrast, the ''shiroshoin'' ("white study / writing room"), closer to the castle's interior, was used for audiences with ''fudai daimyô'' and the shogun's relatives, while the ''kuroshoin'' ("black study / writing room"), closer still to the interior, was used for meetings with the shogun's most trusted retainers and highest-ranking officials. These two rooms were constructed in white wood and black lacquered wood, respectively.<ref>Arai Hakuseki, Joyce Ackroyd (trans.), ''Told Round a Brushwood Fire'', University of Tokyo Press (1979), 289n38.</ref>

The ''ôhiroma'' contained three platforms of different heights, called ''dan'', allowing the shogun to sit not only at a distance from his formal visitors, but also physically above them. Only the highest-ranking retainers and guests were permitted to sit within the ''ôhiroma'', and then only in certain ''dan'', in accordance with their rank. Wrapping around an inner garden, and thus forming a U-shape with the three ''dan'', were three antechambers, known respectively as the ''ni-'', ''san-'', and ''yon-no-ma''. The ''shiroshoin'' was arranged similarly, though on a smaller scale, with two ''dan'', two audience rooms, and two antechambers. ''Fudai daimyô'' too wealthy/powerful to be entrusted with the authority associated with the positions of ''[[roju|rôjû]]'' or ''[[wakadoshiyori]]'' were seated in a nearby room known as the ''tamari no ma'', adjacent to the ceremonial chambers, and closest of all the ''daimyô'' waiting rooms to the shogunal residence.<ref>Mitani, xxv.</ref>

The ''ôhiroma'' contained three platforms of different heights, called ''dan'', allowing the shogun to sit not only at a distance from his formal visitors, but also physically above them. Only the highest-ranking retainers and guests were permitted to sit within the ''ôhiroma'', and then only in certain ''dan'', in accordance with their rank. Wrapping around an inner garden, and thus forming a U-shape with the three ''dan'', were three antechambers, known respectively as the ''ni-'', ''san-'', and ''yon-no-ma''. The ''shiroshoin'' was arranged similarly, though on a smaller scale, with two ''dan'', two audience rooms, and two antechambers.<ref>Mitani, xxv.</ref>

On special occasions, such as New Year's, members of the ''gosanke'', ''[[gosankyo|gosankyô]]'', and other shogunal relatives, along with others of the 4th rank and above, waited in various rooms of the castle and met with the shogun in the ''shiroshoin'' one at a time, to offer their New Year's greetings. Following these individual audiences, the shogun would move to the lower ''dan'' (''gedan'') of the ''ôhiroma'', and stand there as ''fusuma'' (sliding doors) were opened, allowing those of rank five and below, gathered in the ''ni-no-ma'', to be seen by the shogun; all those assembled then bowed low, performing their greetings to the shogun all at once.<ref name=fukai22/>

''Daimyô'' and others were divided, by rank, into association with particular waiting rooms.<ref>Gallery label, "[https://www.flickr.com/photos/toranosuke/11269336136/ Daimyô no kakushiki]," Edo-Tokyo Museum.</ref>

#Ôrôka: Members of the ''gosanke'' and ''gosankyô'', along with a few of the highest-ranking ''daimyô'' (such as the [[Maeda clan]] of [[Kaga han]], [[Shimazu clan]] of [[Satsuma han]], and [[Matsudaira clan (Echizen)|Matsudaira clan]] of [[Matsue han]]) were associated with the ''Ôrôka'', or "great corridor."

#Tamari-no-ma: Collateral houses of the Tokugawa, typically known as ''shinpan'' or ''kamon'', including the various [[Matsudaira clan]] branch families of [[Aizu han]], [[Kuwana han]], and [[Takamatsu han]], sat with the [[Ii clan]] of [[Hikone han]] and up to six other ''fudai daimyô'' and ''rôjû'' in the ''tamari no ma'', adjacent to the ceremonial chambers, and closest of all the ''daimyô'' waiting rooms to the shogunal residence.

#Ôhiroma: Around thirty lords were associated with the audience hall itself. These included ''shinpan/kamon'' collateral families not included in the higher ranks, as well as ''tozama daimyô'' above 110,000 ''[[kokudaka|koku]]''.

#Teikan no ma: Roughly sixty ''fudai'' and ''jun-fudai'' (semi- or quasi-''fudai'') clans were associated with the Teikan-no-ma, a room decorated with images of the "Mirror of the Emperors" (''teikan''). These included the [[Okubo clan|Ôkubo]] of [[Odawara han]], [[Toda clan|Toda]] of [[Ogaki han|Ôgaki]], and the [[Yanagisawa clan|Yanagisawa]] of [[Yamatokoriyama han]].

#Yanagi no ma: Branch houses of the clans associated with the Ôhiroma, along with ''tozama daimyô'' up to 100,000 ''koku'' in rank were associated with the Yanagi-no-ma, a room decorated with paintings of willows (''yanagi'').

#Kari no ma: ''Fudai daimyô'' of castle-holding (''shiro-mochi'' or ''shiro-nushi'') rank and above were seated in the ''kari-no-ma'', a room decorated with paintings of geese (''kari'').

#Kiku no ma: ''Fudai daimyô'' not of castle-holding rank were seated in the "chrysanthemum room," or ''kari-no-ma''. These included the [[Ooka clan|Ôoka]] of [[Nishi-Ohira han|Nishi-Ôhira]], the [[Oseki clan|Ôseki]] of [[Kurobane han]], the [[Yamaguchi clan]] of [[Ushihisa han]], and the [[Tanuma clan]] of [[Sagara han]].

Beyond these various audience halls lay the shogun's personal quarters, along with the [[Ooku|Ôoku]].

 

 

Beyond the various audience halls lay the shogun's personal quarters, along with the [[Ooku|Ôoku]].

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