Difference between revisions of "Fudoki"

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Historian Joan R. Piggott translates ''fûdoki'' (風土紀) as "regional gazetteers," but the less practical and most literal translation of "Records of Wind and Earth" is also seen in academic circles.
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Historian Joan R. Piggott translates ''fûdoki'' (風土紀) as "regional gazetteers," but the less practical and most literal translation of "Records of Wind and Earth" is also seen in academic circles. These "gazetteers" followed the ''[[Kojiki]]'' and ''[[Nihon Shoki]]'' as early historical texts, but what sets them apart is their individuality: they are limited in scope, as the information they contain stays within the borders of their respective provinces.  
  
 
==Origins==
 
==Origins==

Revision as of 17:08, 15 September 2006

Historian Joan R. Piggott translates fûdoki (風土紀) as "regional gazetteers," but the less practical and most literal translation of "Records of Wind and Earth" is also seen in academic circles. These "gazetteers" followed the Kojiki and Nihon Shoki as early historical texts, but what sets them apart is their individuality: they are limited in scope, as the information they contain stays within the borders of their respective provinces.

Origins

It was Empress Genmei's intention that all regions in 8th century Japan record their respective history, mythology, geography, etc...when she issued her edict in 713 A.D.

Language

Chinese and Japanese.

Extant Fûdoki

The following fûdoki are extant:

  • Bungo fûdoki
  • Hitachi fûdoki
  • Harima fûdoki
  • Izumo fûdoki
  • Hizen fûdoki
  • Higo fûdoki

There is some discrepancy in the number and titles of remaining fûdoki, in that Piggott lists all the above except the Bungo fûdoki as being extant. However, an impressive work by Michiko Y. Aoki has all the above fûdoki including the Bungo text translated into English. However, it is missing the Higo text. The Cambridge History of Japan Volume One: Ancient Japan helps put some closure to this issue:

"Only the Izumo fûdoki survives intact; the gazetteers of Harima, Bungo, Hitachi, and Hizen are partially preserved, and fragments of a number of others have come down thanks to being quoted in various works."

The mysterious "number of others," therefore, puts to rest this confusion over the discrepancies.