Moving to [[Edo]] in [[1687]] with his son [[Torii Kiyonobu|Shôbei]], he made his home very close to the entertainment district. He was unsuccessful onstage, like many other Osaka actors who tried to adapt to the Edo acting styles and audience preferences, so he turned to focus exclusively on painting advertisements and billboards for the kabuki theater. Soon eclipsed by Shôbei, who took the name Torii Kiyonobu in his artistic career, the pair established a school (style) of painting which would strongly influence that of the emerging ''ukiyo-e'', and which would monopolize the painting of kabuki signboards through the [[Edo period]] and into the 20th century. | Moving to [[Edo]] in [[1687]] with his son [[Torii Kiyonobu|Shôbei]], he made his home very close to the entertainment district. He was unsuccessful onstage, like many other Osaka actors who tried to adapt to the Edo acting styles and audience preferences, so he turned to focus exclusively on painting advertisements and billboards for the kabuki theater. Soon eclipsed by Shôbei, who took the name Torii Kiyonobu in his artistic career, the pair established a school (style) of painting which would strongly influence that of the emerging ''ukiyo-e'', and which would monopolize the painting of kabuki signboards through the [[Edo period]] and into the 20th century. |